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Robin Trower - State To State: Live Across America 1974 - 1980 - Music & Performance - CD

current price $23.47

$93.88/lb

Robin Trower - State To State: Live Across America 1974 - 1980 - Music & Performance - CD

5 out of 5 Stars. 2 reviews

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Full performer name: Dave Brubeck/Ahmad Jamal/Oscar Peterson/George Shearing. Compilation producer: Elaine Martone. DAVE BRUBECK: Personnel: Dave Brubeck (piano); Bobby Militello (flute); Jack Six (bass); Randy Jones (drums). Producer: Russell Gloyd, John Snyder. Recorded at Carriage House Studio, Stamford, Connecticut on June 29, 1994; Power Station Studio A, New York, New York on February 15, 1994; Performing Arts Center, State University Of New York, Purchase, New York on January 4, 1994; live at the Blue Note, New York, New York from October 5-7, 1993. AHMAD JAMAL: Personnel: Ahmad Jamal (piano); John Heard, Ephriam Wolfolk (bass); Yoron Israel, Arti Dixson (drums). Producer: John Snyder. Recorded live at Joe Segal's Jazz Showcase, Blackstone Hotel, Chicago, Illinois on November 13 & 14, 1992; Clinton Studios, Studio A, New York, New York on June 2 & 3, 1994. OSCAR PETERSON: Personnel: Oscar Peterson (piano); Herb Ellis (guitar); Ray Brown (bass); Bobby Durham (drums). Producer: Robert Woods. Recorded live at the Blue Note, New York, New York on March 17, 1990. GEORGE SHEARING: Personnel: George Shearing (piano); Steve Nelson (vibraphone); Louis Stewart (guitar); Neil Swainson (bass); Dennis Mackrell (drums). Producer: John Snyder. Recorded at Power Station Studio A, New York, New York from February 14-16, 1994.

current price $30.86

Full performer name: Dave Brubeck/Ahmad Jamal/Oscar Peterson/George Shearing.
Compilation producer: Elaine Martone.
DAVE BRUBECK:
Personnel: Dave Brubeck (piano); Bobby Militello (flute); Jack Six (bass); Randy Jones (drums).
Producer: Russell Gloyd, John Snyder.
Recorded at Carriage House Studio, Stamford, Connecticut on June 29, 1994; Power Station Studio A, New York, New York on February 15, 1994; Performing Arts Center, State University Of New York, Purchase, New York on January 4, 1994; live at the Blue Note, New York, New York from October 5-7, 1993.
AHMAD JAMAL:
Personnel: Ahmad Jamal (piano); John Heard, Ephriam Wolfolk (bass); Yoron Israel, Arti Dixson (drums).
Producer: John Snyder.
Recorded live at Joe Segal's Jazz Showcase, Blackstone Hotel, Chicago, Illinois on November 13 & 14, 1992; Clinton Studios, Studio A, New York, New York on June 2 & 3, 1994.
OSCAR PETERSON:
Personnel: Oscar Peterson (piano); Herb Ellis (guitar); Ray Brown (bass); Bobby Durham (drums).
Producer: Robert Woods.
Recorded live at the Blue Note, New York, New York on March 17, 1990.
GEORGE SHEARING:
Personnel: George Shearing (piano); Steve Nelson (vibraphone); Louis Stewart (guitar); Neil Swainson (bass); Dennis Mackrell (drums).
Producer: John Snyder.
Recorded at Power Station Studio A, New York, New York from February 14-16, 1994.

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Although Tchaikovsky was inspired to write his Violin Concerto by Lalo's 'Symphonie espagnole,' its musical lineage reaches back to Beethoven's Violin Concerto. Consciously or not, Tchaikovsky was composing in Beethoven's shadow, as did Brahms at about the same time. Neither of these influences, however, kept Tchaikovsky's concerto from being completely his own, and it is performed here to technical perfection by Midori and the Berlin Philharmonic under Claudio Abbado. As a companion to the Tchaikovsky, Dmitri Shostakovich's first Violin Concerto comes across as much more of a study in abstracts, considerably less rooted in the German symphonic tradition. This work was written for David Oistrakh just after Shostakovich's music was condemned by Stalin's cultural regime, and could not be performed until 1955. It was one of many works Shostakovich wrote during those years to truly satisfy his compositional urges while turning out public works to satisfy the state. This pair of live Berlin performances makes an attractive disc for collectors and more general music lovers. Sony's sound is, as always, quite full and captures every nuance of the performance while omitting most audience noise. In a bit of interesting editing, however, the same deservedly enthusiastic applause follows both works.

current price $41.65

Although Tchaikovsky was inspired to write his Violin Concerto by Lalo's 'Symphonie espagnole,' its musical lineage reaches back to Beethoven's Violin Concerto. Consciously or not, Tchaikovsky was composing in Beethoven's shadow, as did Brahms at about the same time. Neither of these influences, however, kept Tchaikovsky's concerto from being completely his own, and it is performed here to technical perfection by Midori and the Berlin Philharmonic under Claudio Abbado.
As a companion to the Tchaikovsky, Dmitri Shostakovich's first Violin Concerto comes across as much more of a study in abstracts, considerably less rooted in the German symphonic tradition. This work was written for David Oistrakh just after Shostakovich's music was condemned by Stalin's cultural regime, and could not be performed until 1955. It was one of many works Shostakovich wrote during those years to truly satisfy his compositional urges while turning out public works to satisfy the state.
This pair of live Berlin performances makes an attractive disc for collectors and more general music lovers. Sony's sound is, as always, quite full and captures every nuance of the performance while omitting most audience noise. In a bit of interesting editing, however, the same deservedly enthusiastic applause follows both works.

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