For the past 17 years, Carla Torgerson, Chris Eckman from the northwest corner of the United States, and a revolving cast of players have crafted albums of fine, independent gothic (as in Flannery O'Connor and William Faulkner, not Bauhaus) American independent music and have influenced countless bands along the way, many of whom are too foolish to acknowledge their influence. Counting bootlegs and mail-order issues, they have issued no less than 15 albums and countless singles and EPs for labels such as Virgin, Glitterhouse, Sub Pop, and others, without receiving a whit of popular acclaim. The bottom line is that this band crafts exquisite songs from the shadowy side of the American experience, and Ended Up a Stranger offers evidence aplenty. 2001 release on Glitterhouse Records.
For the past 17 years, Carla Torgerson, Chris Eckman from the northwest corner of the United States, and a revolving cast of players have crafted albums of fine, independent gothic (as in Flannery O'Connor and William Faulkner, not Bauhaus) American independent music and have influenced countless bands along the way, many of whom are too foolish to acknowledge their influence. Counting bootlegs and mail-order issues, they have issued no less than 15 albums and countless singles and EPs for labels such as Virgin, Glitterhouse, Sub Pop, and others, without receiving a whit of popular acclaim. The bottom line is that this band crafts exquisite songs from the shadowy side of the American experience, and Ended Up a Stranger offers evidence aplenty. 2001 release on Glitterhouse Records.
