America

Produced by Sebastian Rogers. Engineered by David Etlinger and Sebastian Rogers at Bungalow 9 in Portland, Or. Mixed by Sebastian Rogers at the Magic Closet in Portland, Or, except track 2, mixed by Tony Lash. Mastered by Tony Lash at Mandible. Matt Carson -- Upright bass, Electric bass, Banjo, Additional percussion on tracks 2, 6 & 9, Hammond pedals on track 8 Nate Crockett-- Violin, Viola, Trombone, Banjo on tracks 4 & 5, Electric bass on track 6, Hammond organ and Mandolin on track 2, Beatbox on track 9 Daniel Dixon-- Electric guitar, Piano, Drums, Percussion, Drum machine, Auto harp, Glockenspiel, Hammond organ, Wurlitzer organ, Backing vocals on tracks 7 & 8 Caleb 'Josh Machine' Heinz-- Electric bass on track 5. Andrew Stonestreet-- Backing vocals on tracks 2, 3 and 4, Piano on track 9 Sebastian Rogers-- Acoustic guitar, Electric bass on track 2, Backing vocals on track 6, 7 & 8 Catherine Feeny-- Vocals, Ukelele, Hammond organ on track 4 Songs written by Catherine Feeny,Year of the Rabbit (ASCAP), except track 2, written by Catherine Feeny and Sebastian Rogers, track 3, written by Catherine Feeny and Daniel Dixon, and track 10 written by Anais Mitchell, Candid Music Publishing. Strings arranged by Nate Crockett. Cover photo by Ashley Gilbertson. Inside photo by Parker Fitzgerald. Album design by Ashley Marcu. Catherine talks about 'America': 'It was October, and my goal was to record a new album before the year was out. I had been writing for several months and I was restless from being shut up in my sun room. When I saw the the first video that came out of Occupy Wall Street, it struck a deep chord in me -- reflected there were my feelings of alienation from mainstream America, my sadness at the massive divide between my love and hope for my country and the reality of the path we were on. A fan of the band I have with my husband, Come Gather Round Us, contacted me out of the blue saying that she thought we should be in New York at the protests. They had a gold coin they wanted to put towards getting us there. We were floored by how this offer matched our desire to be part of this cultural/political phenomenon. We accepted the gracious gift. Sleeping in a park in central Manhattan for 5 weeks, being forcibly removed/arrested, meeting hundreds of the thousands of people who came from all over the world to check out what was happening at Zuccotti Park -- these experiences altered not only my timeline for the album, but my heart and therefore the heart of the album itself. 'United' was written as a single to be sold as a fundraiser as we struggled to keep afloat in New York -- it is the anthem I kept hoping to hear as we marched through the streets of New York. We borrowed a 1970s tape deck from a friend and went around the park recording samples of the drum circle and spoken word. The tape deck was in our tent the night the NYPD came to the park to remove us, and were it not for a friend who grabbed the deck and ran when the police arrived, the deck and the material we gathered would have been lost. The rhythm in this track is made entirely of samples from Zuccotti Park. 'Marginalized Limb' speaks of the deep divisions in the OWS community that became increasingly destructive during our time there. 'Police State' is a lament and a call to action, inspired not only by abuse of power within the police force but by the long arms of corporations who help maintain the status quo. 'Spill it all Over the Ground' is an exploration of the arr