Barbarossa: A Tragedy, as It Is Perform'd at the Theatre-Royal in Drury-Lane. (Paperback)

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Bodleian Library (Oxford)

N000083

Anonymous. By John Brown, Vicar of Newcastle-upon-Tyne. With a preliminary leaf of 'Apology'/advertisement and two final leaves of prologue and epilogue written by David Garrick.

Dublin: printed for Thomas Wilkinson, [1760?]. [4],56, [4]p.; 12°