Musical Phænomena, Founded on Unanswerable Facts; and a Proof That Musical Instruments Have Been Hitherto Fabricated on the Most Improper Materials. This Work Will Extend to Several Numbers. No.I. Con

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T112448

By Charles Clagget, whose name occurs in the text. No more published? - With a half-title and an additional titlepage: 'No.1. of Musical phænomena'.

London: printed for the author; and sold at the Musical Museum, 1793. [2],22p.,2 plates: ill., engr.music; 4°