Vienna M - Mozart Evening in Vienna [CD]

Wolfgang Amadeus Mozart (1756 -1791) Aus der Oper \Die Entführung aus dem Serail, KV 384 From the opera The Abduction from the Seraglio, K. 384 Ouvertüre/Overture Arie des Blondchens/Blondchen's Aria "Durch Zärtlichkeit..." Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Canzonetta des Don Giovanni/Don Giovanni's Canzonetta "Deh, vieni alla finestra" Duett Don Giovanni-Zerlina:/Duet of Don Giovanni and Zerlina "Là ci darern la mano" Eine kleine Nachtmusik, KV 525 Serenade in G, K. 525 1. Allegro Konzert für Klavier Nr. 21, C-Dur, KV 467 Piano Concerto No.21 in C major, K. 467 2. Andante 3. Allegro vivace assai Symphonie Nr. 41, "Jupiter", KV 551 Symphony No.41, Jupiter, K. 551 1. Allegro vivace Konzert für Violine, A-Dur, KV 219 Violin Concerto in A major, K. 219 3. Rondo: Tempo di Menuetto Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Arie des Leporello - Registerarie/Leporello's Catalogue Song: "Madarnina !" Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Arie der Zerlina/Zerlina's Aria "Vedrai, carino" Aus der Oper "Die Zauberflöte", KV 620 From the opera The Magic Flute, K. 620 Arie des Papageno/Papageno's Aria "Ein Mädchen oder Weibchen" Alla turca (Orchesterbearbeitung) Rondo alla turca (orchestral arrangement) Wolfgang Amadeus Mozart was born in Salzburg in 1756, the son of a court musician who, in the year of his youngest child's birth, published an influential book on violin-playing. Leopold Mozart rose to occupy the position of Vice-Kapellmeister to the Archbishop of Salzburg, but sacrificed his own creative career to that of his son, in whom he detected early signs of precocious genius. With the indulgence of his patron, he was able to undertake extended concert tours of Europe in which his son and his eider sister Nannerl were able to astonish audiences. The boy played both the keyboard and the violin and could improvise and soon write down his own compositions. Childhood that had brought signal success was followed by a less satisfactory period of adolescence largely in Salzburg, under the patronage of a new and less sympathetic Archbishop. Mozart, like his father, found opportunities far too limited at home, while chances of travel were now restricted. In 1777, when leave of absence was not granted, he gave up employment in Salzburg to seek a future elsewhere, but neither Mannheim nor Paris, both musical centres of some importance, had anything for him. His Mannheim connections, however, brought a commission for an opera in Munich in 1781, and after its successful staging he was summoned by his patron to Vienna. There his dissatisfaction with his position and the denial of opportunities for advancement resulted in a quarrel with the Archbishop and dismissal from his service. The last ten years of Mozart's life were spent in Vienna in precarious independence of both patron and immediate paternal advice, a situation aggr