The relevance of this book is determined by the increasing interest in how the writer's worldview and individual perception of the world are reflected in artistic work. In this context, the artistic picture of the world becomes a representation of the writer's personality. In this respect, the dramaturgy of Tatar writer A. Gilyazov is interesting from the point of view of reflecting his worldview and attitudes, as well as his ability to masterfully project in his plays what he sees, what he means and how he portrays the era and the hero, iconic objects and phenomena. All this prompted us to study Gilyzov's playwrights through the prism of the problem of playwriting. Gilyazov through the prism of the problem of artistic picture of the world, in order to identify the features of real reality embodied in the artistic world. In accordance with the goal set, the monograph investigates essential characteristics of the concept of "artistic picture of the world" as a primary task, namely: 1) the category of the hero, 2) the spatial and temporal organization of the playwright's plays, and 3) the symbolism of the plays.
