The Dialogue of Listening (Paperback)

Composing musical works that drive the performer to greater creative participation and at the same time require him to put his conscience in others and in himself thanks to imitation and play in real time as compositional processes that indeterminate the musical content and open up the form, will lead the musical work to find new ways of relating to the resources, materials and humans that surround it, resignifying from its theoretical conceptions to its pragmatic expressions, which will incorporate, in addition to the aesthetic enjoyment, the playful pleasure of the performance.