Tchaikovsky's Symphony No.5, his second-to-last, is one of his most traditional, and consequently, popular. Cyclical in nature, the motto theme is heard throughout all four movements after its initial statement, in various forms. It is possible that Tchaikovsky had a hidden programmatic idea, which this recurrence represented, but more than that we'll never know. As is often the case with Tchaikovsky, this work is full of striking and memorable themes including the lovely Andante melody. Conductor Daniel Barenboim has a keen and healthy respect, though, for the piece's hidden architecture, and performs the entire work without a break between movements.
Like the Symphonies, the 1812 Overture is known for its rousing themes and masterful orchestral colors. The brass intonation from the Chicago Symphony Orchestra is particularly good, and one hears the powers of the distinctive counterpoint between sweeping strings and forceful brass used so skillfully by Tchaikovsky. His genius comes across brilliantly in this performance.
