

Legacy : Walter Chrysler Jr. and the Untold Story of Norfolk's Chrysler Museum of Art (Hardcover)
Key item features
The Norfolk museum that would one day bear the Chrysler name was always a good museum of its kind, home to a respectable collection serving a smallish city. But when Norfolk native Jean Outland married Walter Chrysler, heir to the automobile manufacturing fortune and an avid art collector, the museum found a person with whom its fortunes would be intertwined, sometimes spectacularly, for decades to come. Walter had already established a Chrysler Museum in Provincetown, Massachusetts, but in 1971—in need of more space and, admittedly, a fresh start—he relocated the operation to Norfolk.
The museum that had once fretted over the possible purchase of a minor Cézanne because it would by itself deplete the entire budget now found itself playing host almost overnight to works by the Old Masters as well as many of the most notable modern artists. Chrysler’s was a world-class art collection, containing pieces by, among others, Fragonard, Ingres, Géricault, Tiffany, Matisse, and Braque. The groundwork was laid for Norfolk’s place on the cultural map.
In Legacy, Peggy Earle paints a vivid picture of this provincial museum’s transformation into one of the finest art museums on the East Coast. She also delivers a captivating portrait of Walter Chrysler, a generous and demanding man who found in art patronage a focus not only for his wealth but also for his tremendous energy. Not content to merely admire the work, Walter had a naturally gregarious side and was apt to deal with artists such as Pablo Picasso directly. And yet he was also intensely private. Earle provides readers with a fascinating view of the politics of the museum world, where even good relationships are never uncomplicated. (The addition of the Chrysler collection’s works to the museum was not unanimously applauded by the community; nor was it a foregone conclusion that, upon Chrysler’s death, the pieces would even stay with the museum.)
This lively account of the unlikely union between an arts maverick and a city on the cusp of cultural evolution sheds new light on how great art finds a place to call home.
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- Book formatHardcover
- Fiction/nonfictionNon-Fiction
- Pub date2008-07-09
- Pages216
- Reading levelScholarly & Professional
- Age range18 - 99 Years
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The Norfolk museum that would one day bear the Chrysler name was always a good museum of its kind, home to a respectable collection serving a smallish city. But when Norfolk native Jean Outland married Walter Chrysler, heir to the automobile manufacturing fortune and an avid art collector, the museum found a person with whom its fortunes would be intertwined, sometimes spectacularly, for decades to come. Walter had already established a Chrysler Museum in Provincetown, Massachusetts, but in 1971--in need of more space and, admittedly, a fresh start--he relocated the operation to Norfolk.
The museum that had once fretted over the possible purchase of a minor Cézanne because it would by itself deplete the entire budget now found itself playing host almost overnight to works by the Old Masters as well as many of the most notable modern artists. Chrysler's was a world-class art collection, containing pieces by, among others, Fragonard, Ingres, Géricault, Tiffany, Matisse, and Braque. The groundwork was laid for Norfolk's place on the cultural map.
In Legacy, Peggy Earle paints a vivid picture of this provincial museum's transformation into one of the finest art museums on the East Coast. She also delivers a captivating portrait of Walter Chrysler, a generous and demanding man who found in art patronage a focus not only for his wealth but also for his tremendous energy. Not content to merely admire the work, Walter had a naturally gregarious side and was apt to deal with artists such as Pablo Picasso directly. And yet he was also intensely private. Earle provides readers with a fascinating view of the politics of the museum world, where even good relationships are never uncomplicated. (The addition of the Chrysler collection's works to the museum was not unanimously applauded by the community; nor was it a foregone conclusion that, upon Chrysler's death, the pieces would even stay with the museum.)
This lively account of the unlikely union between an arts maverick and a city on the cusp of cultural evolution sheds new light on how great art finds a place to call home.
The Norfolk museum that would one day bear the Chrysler name was always a good museum of its kind, home to a respectable collection serving a smallish city. But when Norfolk native Jean Outland married Walter Chrysler, heir to the automobile manufacturing fortune and an avid art collector, the museum found a person with whom its fortunes would be intertwined, sometimes spectacularly, for decades to come. Walter had already established a Chrysler Museum in Provincetown, Massachusetts, but in 1971—in need of more space and, admittedly, a fresh start—he relocated the operation to Norfolk.
The museum that had once fretted over the possible purchase of a minor Cézanne because it would by itself deplete the entire budget now found itself playing host almost overnight to works by the Old Masters as well as many of the most notable modern artists. Chrysler’s was a world-class art collection, containing pieces by, among others, Fragonard, Ingres, Géricault, Tiffany, Matisse, and Braque. The groundwork was laid for Norfolk’s place on the cultural map.
In Legacy, Peggy Earle paints a vivid picture of this provincial museum’s transformation into one of the finest art museums on the East Coast. She also delivers a captivating portrait of Walter Chrysler, a generous and demanding man who found in art patronage a focus not only for his wealth but also for his tremendous energy. Not content to merely admire the work, Walter had a naturally gregarious side and was apt to deal with artists such as Pablo Picasso directly. And yet he was also intensely private. Earle provides readers with a fascinating view of the politics of the museum world, where even good relationships are never uncomplicated. (The addition of the Chrysler collection’s works to the museum was not unanimously applauded by the community; nor was it a foregone conclusion that, upon Chrysler’s death, the pieces would even stay with the museum.)
This lively account of the unlikely union between an arts maverick and a city on the cusp of cultural evolution sheds new light on how great art finds a place to call home.
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| Book format | HardcoverLegacy : Walter Chrysler Jr. and the Untold Story of Norfolk's Chrysler Museum of Art (Hardcover) | HardcoverNew York State: Tales My Father Never Told (Hardcover) | PaperbackAmerican Chronicles Historic Tales of Sylva and Jackson County, (Paperback) | HardcoverBlack AF History: The un-Whitewashed Story of America (Hardcover) | HardcoverPre-Owned Terminal (Tunnels Book 6) Hardcover | HardcoverThe Spy in the Museum: How Rose Valland Saved Art from the Nazis, (Hardcover) | HardcoverPre-Owned Becoming a Good Creature (Hardcover) 0358252105 9780358252108 |
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| Fiction/nonfiction | Non-FictionLegacy : Walter Chrysler Jr. and the Untold Story of Norfolk's Chrysler Museum of Art (Hardcover) | Non-FictionNew York State: Tales My Father Never Told (Hardcover) | Non-FictionAmerican Chronicles Historic Tales of Sylva and Jackson County, (Paperback) | Non-FictionBlack AF History: The un-Whitewashed Story of America (Hardcover) | FictionPre-Owned Terminal (Tunnels Book 6) Hardcover | Non-FictionThe Spy in the Museum: How Rose Valland Saved Art from the Nazis, (Hardcover) | Non-FictionPre-Owned Becoming a Good Creature (Hardcover) 0358252105 9780358252108 |
| Pub date | 2008-07-09Legacy : Walter Chrysler Jr. and the Untold Story of Norfolk's Chrysler Museum of Art (Hardcover) | -New York State: Tales My Father Never Told (Hardcover) | 07/20/2020American Chronicles Historic Tales of Sylva and Jackson County, (Paperback) | 2023-09-15T05:00:00ZBlack AF History: The un-Whitewashed Story of America (Hardcover) | -Pre-Owned Terminal (Tunnels Book 6) Hardcover | 2025-01-01T20:52:46ZThe Spy in the Museum: How Rose Valland Saved Art from the Nazis, (Hardcover) | -Pre-Owned Becoming a Good Creature (Hardcover) 0358252105 9780358252108 |
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