The handmaid to the arts, ... Teaching, I. A perfect knowledge of the materia pictoria, ... III. The various manners of gilding, silvering, ... The second edition, with considerable additions and impr

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T125950

Anonymous. By Robert Dossie. In this second edition in vol. 1 the eighth line of the title reads: "teria pictoria, or, the nature,", the second line of imprint reads: "printed for J. Nourse, bookseller in ordinary to his" and on p.[1] sig. B is under the

London: printed for J. Nourse, 1764. 2v.; 8°