

Hero image 0 of The End of the Poem (Hardcover) by Paul Muldoon, 0 of 1
The End of the Poem (Hardcover) by Paul Muldoon
(No ratings yet)
Key item features
- ISBN: 9780374148102
- Condition: New
- Hard cover
- Language: English
- Pages: 406
- Glued binding. Paper over boards. With dust jacket. 406 p. Oxford Lectures.
- In "The End of the Poem," Paul Muldoon, "the most significant English-language poet born since the Second World War" ("The Times Literary Supplement"), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography--and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other.
At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, "The End of the Poem "is a vigorous and accessible approach to looking at poetry anew.
Current price is USD$86.36
Price when purchased online
Out of stock
How do you want your item?
Out of stock
About this item
Product details
9780374148102. New condition. Hard cover. Language: English. Pages: 406. Glued binding. Paper over boards. With dust jacket. 406 p. Oxford Lectures. In "The End of the Poem," Paul Muldoon, "the most significant English-language poet born since the Second World War" ("The Times Literary Supplement"), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography--and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other.
At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, "The End of the Poem "is a vigorous and accessible approach to looking at poetry anew.
At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, "The End of the Poem "is a vigorous and accessible approach to looking at poetry anew.
- ISBN: 9780374148102
- Condition: New
- Hard cover
- Language: English
- Pages: 406
- Glued binding. Paper over boards. With dust jacket. 406 p. Oxford Lectures.
- In "The End of the Poem," Paul Muldoon, "the most significant English-language poet born since the Second World War" ("The Times Literary Supplement"), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography--and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other.
At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, "The End of the Poem "is a vigorous and accessible approach to looking at poetry anew.
info:
We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. Â
Specifications
Book format
Hardcover
Fiction/nonfiction
Non-Fiction
Genre
Literature & Fiction
Publication date
October, 2006
Warranty
Warranty information
Please be aware that the warranty terms on items offered for sale by third party Marketplace sellers may differ from those displayed in this section (if any). To confirm warranty terms on an item offered for sale by a third party Marketplace seller, please use the 'Contact seller' feature on the third party Marketplace seller's information page and request the item's warranty terms prior to purchase.
Customer ratings & reviews
0 ratings|0 reviews
This item does not have any reviews yet
