Orchesography. Or, the art of Dancing, by Characters and Demonstrative Figures. Wherein the Whole art is Explain'd; ... an Exact and Just Translation From the French of Monsieur Feuillet. By John Weav

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T133601

With 'A list of the dancing-masters, subscribers to this undertaking' and an errata slip. The plate between pp.28 & 31 is included in the pagination but not the collation.

London: printed by H. Meere, for the author, and are to be sold by P. Valliant [sic], French bookseller, 1706. [10],59[i.e.57], [1]p., plates: ill., music; 4°