The four songs on Clear are full of with asphyxiating bass pressure, camouflaged in stringently minimal-yet-rudely physical electronics. The sullen, ætheric swagger of "Clear Cut" carves up from the front, placing Taylor Burch's gaunt vocal in acres of warehouse space for 10 minutes. "Do I Dub" sutures the wound with sheer bass pressure alone. "In The Clear" has a stylus troubling sub-bass molded into a dead-eyed, grinding come-on. "Clear Cut" reappears in a truncated Radio Edit upping the techno canter and condensing the vox for closer, cocksure effect.
The four songs on Clear are full of with asphyxiating bass pressure, camouflaged in stringently minimal-yet-rudely physical electronics. The sullen, ﾑtheric swagger of "Clear Cut" carves up from the front, placing Taylor Burch's gaunt vocal in acres of warehouse space for 10 minutes. "Do I Dub" sutures the wound with sheer bass pressure alone. "In The Clear" has a stylus troubling sub-bass molded into a dead-eyed, grinding come-on. "Clear Cut" reappears in a truncated Radio Edit upping the techno canter and condensing the vox for closer, cocksure effect.
