Csapó Gyula: Embroidery Patterns on the Cracked Face of the Earth for two clarinets and bassoon / score and parts / sheet music

Csapó Gyula: Embroidery Patterns on the Cracked Face of the Earth for two clarinets and bassoon score and parts Setting: Wind Trio Series: EMB Contemporary Music Genre: Contemporary Hungarian Works Period: Contemporary Music Language: Hungarian, English Length: 82 pages Format: Bach (23 x 30,2 cm) Published: November 2007 Publisher: Universal Music Publishing Editio Musica Budapest Item number: 14513 ISMN: 9790080145135 / 979-0080145135   The composer writes about his work: My piece entitled „Embroidery patterns on the cracked surface of the Earth” can be imagined somehow as follows: two clarinets and a bassoon „write” beautifully ornamented magic formulas in the clay. As they proceed, the surface cracks into pieces. They almost finish the „writing”, but an invisible hand keeps „rearranging” the innumerable component elements. The „rearrangement” creates time hiatuses, or heaps together units of information in masses of unexpected density (in the second part, brief but condensed suddenly-emerging patterns of differing density scratch the surface of the long periods of silence); elsewhere it collides with the net of sound that carries the material and thus huge faults, ruptured tectonic plates, come into being”The complete work was first performed by the Trio Lignum (Csaba Klenyán, Lajos Rozmán, György Lakatos) in Budapest in 2005.     Csapó Gyula: Hímzésminták a megrepedt Föld arculatára két klarinétra és fagottra partitúra és szólamok Hangszer/letét: Fúvóstrió Sorozat: EMB Contemporary Music Műfaj: Mai magyar művek Korszak: Kortárs Nyelv: magyar, angol Terjedelem: 82 oldal Formátum: Bach (23 x 30,2 cm) Első megjelenés: 2007. november Kiadó: Universal Music Publishing Editio Musica Budapest Katalógusszám: 14513 ISMN: 9790080145135 / 979-0080145135   The composer writes about his work: My piece entitled „Embroidery patterns on the cracked surface of the Earth” can be imagined somehow as follows: two clarinets and a bassoon „write” beautifully ornamented magic formulas in the clay. As they proceed, the surface cracks into pieces. They almost finish the „writing”, but an invisible hand keeps „rearranging” the innumerable component elements. The „rearrangement” creates time hiatuses, or heaps together units of information in masses of unexpected density (in the second part, brief but condensed suddenly-emerging patterns of differing density scratch the surface of the long periods of silence); elsewhere it collides with the net of sound that carries the material and thus huge faults, ruptured tectonic plates, come into being”The complete work was first performed by the Trio Lignum (Csaba Klenyán, Lajos Rozmán, György Lakatos) in Budapest in 2005.