Pledge of Allegiance One Nation Indivisible - San Francisco, California - Vintage B&W Photograph by Dorothea Lange c.1942 - Japanese Unryu Rice Paper Art Print (Unframed) 17 x 22 in

Pacifica Island Art uses an environmentally-friendly Unryu Japanese rice paper made by the Awagami Factory in Tokushima, Japan. Unryu, which translates to 'cloud dragon paper' in Japanese, features long strands of kozo fiber and is made from natural mulberry and hemp fibers using traditional Japanese Washi techniques - ABOUT THE ARTIST - Dorothea Lange - DOROTHEA LANGE (1895-1965) American documentary photographer whose portraits of displaced farmers during the Great Depression greatly influenced later documentary and journalistic photography. Lange studied photography at Columbia University in New York City under Clarence H. White, a member of the Photo-Secession group. In 1918 she decided to travel around the world, earning money as she went by selling her photographs. Her money ran out by the time she got to San Francisco, so she settled there and obtained a job in a photography studio. During the Great Depression, Lange began to photograph the unemployed men who wandered the streets of San Francisco. Pictures such as White Angel Breadline (1932), showing the desperate condition of these men, were publicly exhibited and received immediate recognition both from the public and from other photographers, especially members of Group f.64. These photographs also led to a commission in 1935 from the federal Resettlement Administration (later called the Farm Security Administration [FSA]). The latter agency, established by the U.S. Agriculture Department, hoped that Lange’s powerful images would bring the conditions of the rural poor to the public’s attention. Her photographs of migrant workers, with whom she lived for some time, were often presented with captions featuring the words of the workers themselves. FSA director Roy Stryker considered her most famous portrait, Migrant Mother, Nipomo, California (1936), to be the iconic representation of the agency’s agenda. The work now hangs in the Library of Congress.