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El Aprendizaje del Escritor / The Writer's Apprenticeship (Paperback) by Jorge Luis Borges
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Una obra inédita de Borges, única y reveladora sobre su método de escritura El taller literario de Borges Los textos inéditos suelen perdurar en papeles diversos, márgenes o cuadernos en octava; suelen encontrarse en cajones, baúles, latas de galletitas o bolsillos; éste permaneció en una cinta magnetofónica, grabada en Nueva York hace cuarenta y tres años.
Esto quiere decir que antes de ser un libro, El aprendizaje del escritor fue oral, y que su texto comporta la traducción -o ventriloquia- de las transcripciones del seminario sobre escritura que ofreció Borges en la Universidad de Columbia, en 1971. Cada reunión estuvo abierta a las preguntas de los estudiantes y, a la manera de los diálogos platónicos, recrea naturalmente el contraste dramático de los puntos de vista del autor y sus lectores. Este seminario, como la vastísima obra de Borges, no encierra una sola página que no ofrezca una felicidad.
ENGLISH DESCRIPTION
Unpublished texts often remain on random pages, in margins, or in notebooks; they tend to be found in drawers, boxes, cookie tins, or pockets. Until now, this one has remained on an audiocassette that was recorded in New York in 1971. That is, before being a book, The Writer's Apprenticeship was
spoken word, and its text entails the translation—or ventriloquism—of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
Esto quiere decir que antes de ser un libro, El aprendizaje del escritor fue oral, y que su texto comporta la traducción -o ventriloquia- de las transcripciones del seminario sobre escritura que ofreció Borges en la Universidad de Columbia, en 1971. Cada reunión estuvo abierta a las preguntas de los estudiantes y, a la manera de los diálogos platónicos, recrea naturalmente el contraste dramático de los puntos de vista del autor y sus lectores. Este seminario, como la vastísima obra de Borges, no encierra una sola página que no ofrezca una felicidad.
ENGLISH DESCRIPTION
Unpublished texts often remain on random pages, in margins, or in notebooks; they tend to be found in drawers, boxes, cookie tins, or pockets. Until now, this one has remained on an audiocassette that was recorded in New York in 1971. That is, before being a book, The Writer's Apprenticeship was
spoken word, and its text entails the translation—or ventriloquism—of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
Specs
- Book formatPaperback
- Fiction/nonfictionFiction
- GenreLiterature & Fiction
- Publication dateAugust, 2016
- Pages176
- EditionStandard Edition
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9788490625569. New condition. Trade paperback. Language: Spanish. Pages: 176. Text in Spanish. Trade paperback (US). Glued binding. 176 p. Una obra in�dita de Borges, �nica y reveladora sobre su m�todo de escritura El taller literario de Borges Los textos in�ditos suelen perdurar en papeles diversos, m�rgenes o cuadernos en octava; suelen encontrarse en cajones, ba�les, latas de galletitas o bolsillos; �ste permaneci� en una cinta magnetof�nica, grabada en Nueva York hace cuarenta y tres a�os. Esto quiere decir que antes de ser un libro, El aprendizaje del escritor fue oral, y que su texto comporta la traducci�n -o ventriloquia- de las transcripciones del seminario sobre escritura que ofreci� Borges en la Universidad de Columbia, en 1971. Cada reuni�n estuvo abierta a las preguntas de los estudiantes y, a la manera de los di�logos plat�nicos, recrea naturalmente el contraste dram�tico de los puntos de vista del autor y sus lectores. Este seminario, como la vast�sima obra de Borges, no encierra una sola p�gina que no ofrezca una felicidad. ENGLISH DESCRIPTION Unpublished texts often remain on random pages, in margins, or in notebooks; they tend to be found in drawers, boxes, cookie tins, or pockets. Until now, this one has remained on an audiocassette that was recorded in New York in 1971. That is, before being a book, The Writer's Apprenticeship was
spoken word, and its text entails the translation--or ventriloquism--of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
spoken word, and its text entails the translation--or ventriloquism--of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
Una obra inédita de Borges, única y reveladora sobre su método de escritura El taller literario de Borges Los textos inéditos suelen perdurar en papeles diversos, márgenes o cuadernos en octava; suelen encontrarse en cajones, baúles, latas de galletitas o bolsillos; éste permaneció en una cinta magnetofónica, grabada en Nueva York hace cuarenta y tres años.
Esto quiere decir que antes de ser un libro, El aprendizaje del escritor fue oral, y que su texto comporta la traducción -o ventriloquia- de las transcripciones del seminario sobre escritura que ofreció Borges en la Universidad de Columbia, en 1971. Cada reunión estuvo abierta a las preguntas de los estudiantes y, a la manera de los diálogos platónicos, recrea naturalmente el contraste dramático de los puntos de vista del autor y sus lectores. Este seminario, como la vastísima obra de Borges, no encierra una sola página que no ofrezca una felicidad.
ENGLISH DESCRIPTION
Unpublished texts often remain on random pages, in margins, or in notebooks; they tend to be found in drawers, boxes, cookie tins, or pockets. Until now, this one has remained on an audiocassette that was recorded in New York in 1971. That is, before being a book, The Writer's Apprenticeship was
spoken word, and its text entails the translation—or ventriloquism—of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
Esto quiere decir que antes de ser un libro, El aprendizaje del escritor fue oral, y que su texto comporta la traducción -o ventriloquia- de las transcripciones del seminario sobre escritura que ofreció Borges en la Universidad de Columbia, en 1971. Cada reunión estuvo abierta a las preguntas de los estudiantes y, a la manera de los diálogos platónicos, recrea naturalmente el contraste dramático de los puntos de vista del autor y sus lectores. Este seminario, como la vastísima obra de Borges, no encierra una sola página que no ofrezca una felicidad.
ENGLISH DESCRIPTION
Unpublished texts often remain on random pages, in margins, or in notebooks; they tend to be found in drawers, boxes, cookie tins, or pockets. Until now, this one has remained on an audiocassette that was recorded in New York in 1971. That is, before being a book, The Writer's Apprenticeship was
spoken word, and its text entails the translation—or ventriloquism—of transcriptions of the writing seminar that Borges gave at Columbia University that year. Each session had a time for student questions, and, like Platonic dialogue, naturally recreates the dramatic contrast between the points of view of the author and his readers. This course, like the extensive works of Borges, does not contain a single page that doesn't also offer happiness.
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Specifications
Book format
Paperback
Fiction/nonfiction
Fiction
Genre
Literature & Fiction
Publication date
August, 2016
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