This CD could easily have been a contender for Document's 'Too Late, Too Late' series, featuring as it does previously unissued takes and recently discovered tracks from artists already covered on previous releases. It also continues the policy of introducing work by performers who feature only in the new fourth edition of the 'Blues And Gospel Records' discography. Among this group are the West Indian singer Sam Manning, and Sammie Lewis, both stated to be of 'no blues interest' in previous volumes of 'The Bible', and hence unlisted, but apparently reprieved in the new edition, which explains their inclusion on this collection. Sammie Lewis, who was probably a female impersonator, is accompanied by a forceful band, but had the annoying habit, as noted by liner note writer Steve Tracy, of adding the syllable 'ah' to the end of each line he sang, thus detracting from the overall presentation. The gap-filling 1923 coupling by Viola McCoy features the powerful piano accompaniment of Fletcher Henderson. Another rare coupling from 'Blind Richard' Yates presents some interesting lyrics. Clifford Hayes is another artist unlisted in previous editions of B&R who makes an appearance in the new one. Most of his work is already available on CD, and the seven tracks presented here are all alternate takes. Hayes plays violin, with Earl Hines on piano, and guitarist Cal Smith contributing some excellent solos. Two more alternate takes are those from the Dixie Jazzers, featuring Robert Cooksey and Bobby Leecan, the remainder of their recordings appearing on two previous Document CDs. The Q.R.S. Boys was the name of a group featuring the piano and flamboyant vocals of Walter 'Fats' Pichon, with the tenor saxophone of Robert Cloud, and Hawaiian guitar played by Benny Nawahi, who provides a fine solo on 'Wiggle Yo' Toes'. Altogether, a mixed bag of music from the borderlands of blues and jazz, presenting a surprising variety of styles.
