
Adventures in Africa (Hardcover)
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Publishers Weekly,In 1997, famed Italian author and essayist Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa that took them from Mali to Senegal and Mauritania. The original purpose of their journey, to do research for a documentary on the methods of Dogon healers, soon became of ancillary importance. As Celati's diary-turned-book relates, the two white Europeans became lost and spent much of their trip wandering about unmoored. But more than a comedy of errors, Celati's book recounts the travails of a writer whose encounter with the unknown, the "other," clarifies his understanding of himself and allows him to regain a "state of self-forgetfulness" from which, Celati believes, the best writing emanates. Celati is no stranger to literary adventure. In Italy, he is best known as an experimental writer, unafraid to venture into uncharted territory. But while the author is certainly experimenting, this book is still a record of actual events, places and people; it provides an unusual portrait of West African countries. Instead of following a linear plot, the narrative bounces on the melodies of Celati's keen insights. (Most amusing are his reflections on tourists, whom he portrays as a bona fide ethnic group, thoroughly a part of Africa's cultural and economic landscape.) Out of his encounter with the "other" is born Celati's concept of "nothing"�the unconscious goal toward which his ostensibly reckless plot is moving. But only upon his return to orderly Paris does he fully elucidate its meaning. Celati's writing exposes the age-old power of travel to induce shedding the self and one's preconceptions. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved,Publishers Weekly,Publishers Weekly,In 1997, famed Italian author and essayist Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa that took them from Mali to Senegal and Mauritania. The original purpose of their journey, to do research for a documentary on the methods of Dogon healers, soon became of ancillary importance. As Celati's diary-turned-book relates, the two white Europeans became lost and spent much of their trip wandering about unmoored. But more than a comedy of errors, Celati's book recounts the travails of a writer whose encounter with the unknown, the "other," clarifies his understanding of himself and allows him to regain a "state of self-forgetfulness" from which, Celati believes, the best writing emanates. Celati is no stranger to literary adventure. In Italy, he is best known as an experimental writer, unafraid to venture into uncharted territory. But while the author is certainly experimenting, this book is still a record of actual events, places and people; it provides an unusual portrait of West African countries. Instead of following a linear plot, the narrative bounces on the melodies of Celati's keen insights. (Most amusing are his reflections on tourists, whom he portrays as a bona fide ethnic group, thoroughly a part of Africa's cultural and economic landscape.) Out of his encounter with the "other" is born Celati's concept of "nothing"�the unconscious goal toward which his ostensibly reckless plot is moving. But only upon his return to orderly Paris does he fully elucidate its meaning. Celati's writing exposes the age-old power of travel to induce shedding the self and one's preconceptions. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Specs
- Book formatHardcover
- Fiction/nonfictionNon-Fiction
- GenreTravel & Nature
- Publication dateNovember, 2000
- Pages170
- SubgenreTravelogue
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"In the life of a tourist who travels a bit far, I think that at a certain point, a question necessarily arises: 'But what have I come here for?' A question that sets in motion a great cinema of justification to oneself, so that one doesn't have to seriously say to oneself: 'I'm here doing nothing.'"
In 1997 the celebrated Italian novelist and essayist Gianni Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa which took them from Mali to Senegal and Mauritania. The two had been hoping to research a documentary about Dogon priests, but frustrated by red tape, their voyage became instead a touristic adventure. The vulnerable, prickly, insightful Celati kept notebooks of the journey, now translated by Adria Bernardi as Adventures in Africa. Celati is the privileged traveler, overwhelmed by customs he doesn't understand, always at the mercy of others who are trying to sell him something he doesn't want to buy, and aware of himself as the Tourist who is always a little disoriented and at the center of the continual misadventures that are at the heart of travel.
Celati's book is both a travelogue in the European tradition and a trenchant meditation on what it means to be a tourist. Celati learns to surrender to the chaos of West Africa and in the process produces a work of touching and comic descriptions, in the lucid and ironic prose that is his hallmark. Hailed as one of the best travelogues on Africa ever written and awarded the first Zerilli-Marimó prize, Adventures in Africa is a modest yet profound account of the utter discombobulation of travel.
In 1997 the celebrated Italian novelist and essayist Gianni Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa which took them from Mali to Senegal and Mauritania. The two had been hoping to research a documentary about Dogon priests, but frustrated by red tape, their voyage became instead a touristic adventure. The vulnerable, prickly, insightful Celati kept notebooks of the journey, now translated by Adria Bernardi as Adventures in Africa. Celati is the privileged traveler, overwhelmed by customs he doesn't understand, always at the mercy of others who are trying to sell him something he doesn't want to buy, and aware of himself as the Tourist who is always a little disoriented and at the center of the continual misadventures that are at the heart of travel.
Celati's book is both a travelogue in the European tradition and a trenchant meditation on what it means to be a tourist. Celati learns to surrender to the chaos of West Africa and in the process produces a work of touching and comic descriptions, in the lucid and ironic prose that is his hallmark. Hailed as one of the best travelogues on Africa ever written and awarded the first Zerilli-Marimó prize, Adventures in Africa is a modest yet profound account of the utter discombobulation of travel.
Publishers Weekly,In 1997, famed Italian author and essayist Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa that took them from Mali to Senegal and Mauritania. The original purpose of their journey, to do research for a documentary on the methods of Dogon healers, soon became of ancillary importance. As Celati's diary-turned-book relates, the two white Europeans became lost and spent much of their trip wandering about unmoored. But more than a comedy of errors, Celati's book recounts the travails of a writer whose encounter with the unknown, the "other," clarifies his understanding of himself and allows him to regain a "state of self-forgetfulness" from which, Celati believes, the best writing emanates. Celati is no stranger to literary adventure. In Italy, he is best known as an experimental writer, unafraid to venture into uncharted territory. But while the author is certainly experimenting, this book is still a record of actual events, places and people; it provides an unusual portrait of West African countries. Instead of following a linear plot, the narrative bounces on the melodies of Celati's keen insights. (Most amusing are his reflections on tourists, whom he portrays as a bona fide ethnic group, thoroughly a part of Africa's cultural and economic landscape.) Out of his encounter with the "other" is born Celati's concept of "nothing"�the unconscious goal toward which his ostensibly reckless plot is moving. But only upon his return to orderly Paris does he fully elucidate its meaning. Celati's writing exposes the age-old power of travel to induce shedding the self and one's preconceptions. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved,Publishers Weekly,Publishers Weekly,In 1997, famed Italian author and essayist Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa that took them from Mali to Senegal and Mauritania. The original purpose of their journey, to do research for a documentary on the methods of Dogon healers, soon became of ancillary importance. As Celati's diary-turned-book relates, the two white Europeans became lost and spent much of their trip wandering about unmoored. But more than a comedy of errors, Celati's book recounts the travails of a writer whose encounter with the unknown, the "other," clarifies his understanding of himself and allows him to regain a "state of self-forgetfulness" from which, Celati believes, the best writing emanates. Celati is no stranger to literary adventure. In Italy, he is best known as an experimental writer, unafraid to venture into uncharted territory. But while the author is certainly experimenting, this book is still a record of actual events, places and people; it provides an unusual portrait of West African countries. Instead of following a linear plot, the narrative bounces on the melodies of Celati's keen insights. (Most amusing are his reflections on tourists, whom he portrays as a bona fide ethnic group, thoroughly a part of Africa's cultural and economic landscape.) Out of his encounter with the "other" is born Celati's concept of "nothing"�the unconscious goal toward which his ostensibly reckless plot is moving. But only upon his return to orderly Paris does he fully elucidate its meaning. Celati's writing exposes the age-old power of travel to induce shedding the self and one's preconceptions. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
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Specifications
Book format
Hardcover
Fiction/nonfiction
Non-Fiction
Genre
Travel & Nature
Publication date
November, 2000
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