Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of post-classical and contemporary Western sculpture. Recent highlights include essays by playwright David Hare on Eduardo Paolozzi, Christopher Bedford on Richard Serra, and Sarah Wilson on French sculptor Germaine Richier, alongside current exhibition news and book reviews. Academically focused but accessible, and richly illustrated throughout, Sculpture Journal is an insightful read for anyone interested in sculpture, whether researchers, enthusiasts, or collectors.
