
Heavy Metal Music in Argentina : In Black We Are Seen (Paperback)
Key item features
The first collection of essays on Argentine metal music.
This is an interdisciplinary study of Argentina’s heavy metal subculture between 1983 and 2002, a period in which metal music withstood the onslaught of military dictatorship and survived the neoliberal policies of bourgeois democracy.
Edited by leading researchers in the field, this collection addresses the music’s rituals, circulations, cultural products, lyrics, and intertexts, allowing readers to rethink the genre’s place within Argentinean politics and economics. Exclusively written by members of the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) in a communal approach to scholarship, the book echoes the working-class voices that marked early post-dictatorship metal music in Argentina, exploring heavy metal music as a catalyst for social change and a site for engaging political reflection. This is a fascinating work of scholarship and a groundbreaking contribution to the emerging field of global metal studies.
Specs
- Book formatPaperback
- Fiction/nonfictionNon-Fiction
- Publication dateFebruary, 2023
- Pages136
- SubgenreHeavy Metal
- EditionNew edition
- Free shipping
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This edited collection is an interdisciplinary study of heavy metal culture in Argentina between 1983 and 2002. Contributors address the music's rituals, circulations, cultural products, lyrics and intertexts, allowing readers to rethink the place of national heavy metal within Argentinean politics and economics, after the end of the dictatorship.
The first collection of essays on Argentine metal music.
This is an interdisciplinary study of Argentina’s heavy metal subculture between 1983 and 2002, a period in which metal music withstood the onslaught of military dictatorship and survived the neoliberal policies of bourgeois democracy.
Edited by leading researchers in the field, this collection addresses the music’s rituals, circulations, cultural products, lyrics, and intertexts, allowing readers to rethink the genre’s place within Argentinean politics and economics. Exclusively written by members of the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) in a communal approach to scholarship, the book echoes the working-class voices that marked early post-dictatorship metal music in Argentina, exploring heavy metal music as a catalyst for social change and a site for engaging political reflection. This is a fascinating work of scholarship and a groundbreaking contribution to the emerging field of global metal studies.
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