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Short Story Children of the Night: The Best Short Stories by Black Writers 1967 to the Present, Book 2, (Paperback)
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Publishers Weekly,The ``best'' short stories seems an oddly cliquish categorization for any treasury of African American writing, if only because black authors have long expressed displeasure at their own exclusion from the canon. Yet this superb collection lives up to its billing; the 37 stories unabashedly depict the great diversity of black life. Compiled by Naylor (The Women of Brewster Place), the anthology includes such familiar names as Alice Walker, Maya Angelou, Charles Johnson, Ralph Ellison, Jamaica Kincaid and Ntozake Shange, and such relative newcomers as Edwige Danticat. In their tales, characters normally found in the wings of fiction move to center stage, and some conventional literary perspectives (as perceived by white Americans) are turned inside out. In the stories about slavery, literature challenges mythical history as a source of authority about the past. Sherley Anne Williams's ``Meditation on History'' is by turns ironic and heartrending in its account of a slave uprising from the points of view of the aggrieved, patronizing master and the desperate slaves. Likewise, depictions of plantation life by John Edgar Wideman, Samuel Delaney and Carolivia Herron explode the nostalgic myth of gentility and loss exemplified by Gone with the Wind. James Baldwin's ``Tell Me How Long the Train's Been Gone,'' as well as coming-of-age narratives by Toni Cade Bambara and Harold Gordon, features protagonists looking back to that moment when their vague, pervasive uneasiness culminates in bitter recognition of disenfranchisement. Freed from ideological constraints, many of the writers lead their characters bravely through the shadowy realm of racial ambivalence. The collection, in fact, highlights an African American tradition that has itself come of age, one that is poised to irrevocably alter the country's literary sensibilities. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
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- Book formatPaperback
- Fiction/nonfictionFiction
- GenreLiterature & Fiction
- Publication dateFebruary, 1997
- Pages592
- Series titleShort Story
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The sequel to Langston Hughes's 1967 classic anthology The Best Short Stories by Black Writers, Gloria Naylor's Children of the Night is a "brilliant collection" of short stories by black writers including Maya Angelou, Ralph Ellison, and Edward P. Jones (Booklist). In 1969, Langston Hughes edited The Best Short Stories by Black Writers, the classic compendium of African-American short fiction from 1899 to 1967. A quarter of a century later, Gloria Naylor compiled an encore volume, Children of the Night, gathering together the most gifted black writers of the later twentieth century -- from 1967 to its publication in 1997 -- in a rich and varied collection of stories. The portrait that emerges of the African-American experience in the post-Civil Rights era is stirring, compelling, sometimes disturbing, and certainly provocative. Arranged in in four thematic section -- "Remembering," "Affirming," "Revealing the Self Divided," and "Moving On" -- the thirty-seven stories included brilliantly capture the many facets of the black experience in America.
Publishers Weekly,The ``best'' short stories seems an oddly cliquish categorization for any treasury of African American writing, if only because black authors have long expressed displeasure at their own exclusion from the canon. Yet this superb collection lives up to its billing; the 37 stories unabashedly depict the great diversity of black life. Compiled by Naylor (The Women of Brewster Place), the anthology includes such familiar names as Alice Walker, Maya Angelou, Charles Johnson, Ralph Ellison, Jamaica Kincaid and Ntozake Shange, and such relative newcomers as Edwige Danticat. In their tales, characters normally found in the wings of fiction move to center stage, and some conventional literary perspectives (as perceived by white Americans) are turned inside out. In the stories about slavery, literature challenges mythical history as a source of authority about the past. Sherley Anne Williams's ``Meditation on History'' is by turns ironic and heartrending in its account of a slave uprising from the points of view of the aggrieved, patronizing master and the desperate slaves. Likewise, depictions of plantation life by John Edgar Wideman, Samuel Delaney and Carolivia Herron explode the nostalgic myth of gentility and loss exemplified by Gone with the Wind. James Baldwin's ``Tell Me How Long the Train's Been Gone,'' as well as coming-of-age narratives by Toni Cade Bambara and Harold Gordon, features protagonists looking back to that moment when their vague, pervasive uneasiness culminates in bitter recognition of disenfranchisement. Freed from ideological constraints, many of the writers lead their characters bravely through the shadowy realm of racial ambivalence. The collection, in fact, highlights an African American tradition that has itself come of age, one that is poised to irrevocably alter the country's literary sensibilities. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
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Specifications
Book format
Paperback
Fiction/nonfiction
Fiction
Genre
Literature & Fiction
Publication date
February, 1997
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