JOHN HUGHES AND EIGHTIES CINEMA
John Hughes is the acclaimed writer and director of Ferris Bueller's Day Off, The Breakfast Club, Weird Science, Pretty In Pink and many other classic movies of the 1980s.
This book is the first full-length analysis of all of John Hughes's films throughout the 1980s; not only the features that he directed, but also those for which he provided the screenplay. By analysing these pictures and discussing their social and cultural significance in the wider context of the decade, Hughes's importance as a filmmaker will be considered, and his prominent contribution to cinema assessed. The book concludes with a detailed analysis of Ferris Bueller's Day Off, a film which is considered to be among Hughes's most critically successful works and also one of his most structurally refined.
The new edition has been updated and revised in the wake of John Hughes' death in 2009.
Full illustrated. With bibliography, filmography and notes. 372 pages. ISBN 9781861713988.
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REVIEW ON AMAZON
If like me, you were fortunate enough to live through and grow up during the 80's and early 90's, you'll remember just how rich comedy was back then. This book on it's own puts most comedies of the modern era to shame as it is a homage to one of the most talented minds in the game. I am of course speaking of none other than the late great John Hughes. This is a great book for getting into the details of how a master of his art came about and created such cinematic gems. Hughes will be sorely missed which is why books like this keep his spirit and work alive!
I'd say this book is for people who are nostalgic 20-somethings or cinema buffs, but all-round a good book for just about anyone who would like to know what made one of the funniest minds of Hollywood tick.
EXTRACT FROM THE INTRODUCTION
Think of the American cinema of the 1980s, and your mind is instantly bombarded by dozens and dozens of flamboyant moving images from this most distinctive of cinematic decades. You might be thinking of films which became classics such as Irvin Kershner's The Empire Strikes (1980), Steven Spielberg's Raiders of the Lost Ark (1981), Robert Zemeckis's Back to the Future (1985), or possibly even Tim Burton's Batman (1989). It was a decade that gave birth to some film franchises - one need only call to mind John Rambo's explosive first appearance in Ted Kotcheff's First Blood (1982), the harrowing exploits of Officer Murphy in Paul Verhoeven's RoboCop (1987), or even the improbably long-running knockabout antics of Cadet Mahoney and his fellow recruits which began with Hugh Wilson's Police Academy (1984).
It was against this creatively abundant background of the Eighties film world that audiences were first introduced to the work of influential director and screenwriter John Hughes (1950-2009).
