In C

EDITORIAL REVIEWS Terry Riley's In C, one of the most influential compositions of the past quarter century, has been played by almost every conceivable combination of instruments however, the Shanghai Film Orchestra's version ranks as one of the most exciting and exotic interpretations. It marks the 25th anniversary of the piece, and represents the first time a Western new music piece has been recorded in China. In C is a rhythmic, energetic work, but it also echoes the mystical, embroidered music of the Near East and India. By staying in or around the key of C, this 1964 work creates a model sound that can be seen as a forerunner of today's minimalist and world music styles. The Shanghai Film Orchestra plays this contemporary Western work on traditional Chinese instruments. The tuning is different, and the tone colors of the ancient Chinese bells and strings lend a new vibrancy to the piece. The construction of this version is equally striking. Instead of following the score straight through, earlier parts are brought back and woven into a tapestry of sound even more mesmerizing than Riley's original recording. The talented Chinese-American composer, David Mingyue Liang, contributes two works that extend the orchestra's range to include the ethereal sounds of bowed vibes and the haunting resonance of China's only complete set of mangluo gongs. This remarkable recording, the result of a cultural openness in China, proves that the East and West have much to say to each other. .COM There is no doubt about composer Terry Riley's position in the history of 20th-century music. When his watershed composition In C was recorded in 1964, very little of its ilk was available. In C is a pulsating exploration of musical tones, all of them surrounding a riveting repetition of a C note on the piano. To simplify the event, its debut was the formal birth of minimalism. While Riley's original CBS recording has strong charm, and bragging rights as first-on-the-block, one measure of a piece's greatness is its translatability. To this end, Celestial Harmonies presents the Shanghai Film Orchestra on traditional Chinese instruments playing the piece. Percussive, lilting, and thick with energy, Shanghai is monumentally faithful to Riley's designs, loping and looping the segments brilliantly and utilizing the Chinese instruments' pitches to the advantage of the composition. --Andrew Bartlett