V.S. Pritchett explores the connections between Chekhov's life and art, showing how Chekhov (1860-1904) often based his fiction on experiences of his difficult early years where he was responsible for his impoverished family, and as a young doctor, reported on the conditions of the Russian penal colony at Sakhalin. Later he continued his medical career, even when he became a well-known writer and playwright. First published in 1988, this book focuses on the short stories of Chekhov often neglected in favour of his plays and discusses why Chekhov was a success in both mediums. The author has previously written "Collected Stories," a selection of short stories, in addition to Nothing like Leather and Dead Man Leading .
Publishers Weekly,Critics have long noted that many of Chekhov's short stories have strong autobiographical elements. In ``My Life,'' for example, the son's revolt against corrupt, money-making respectability mirrors the Russian writer's own rebellion against a narrow-minded father who cynically abandoned him at age 16. Esteemed novelist, critic and short-story writer Pritchett goes beyond simple one-to-one correspondences in this brisk critical-biographical study, seamlessly weaving together Chekhov's life and his short stories in a tapestry that illuminates both. Chekhov's trip to the penal colony on Sakhalin Island in 1890 gave birth to his intense, claustrophobic story ``Ward 6.'' His restless travels, his work as a doctor and concerned landowner yielded material that he later transformed through leaps of the imagination. As Pritchett demonstrates, the stories provided the characters and themes for the plays, not the other way around. This wonderfully readable reappraisal will make readers want to turn to Chekhov's stories anew. (September) (c) Copyright PWxyz, LLC. All rights reserved