Print: Why Not Meet US In Hero Land? At The Belgian Children's Milk Fund
Print: Why Not Meet US In Hero Land? At The Belgian Children's Milk Fund
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Print: Why Not Meet US In Hero Land? At The Belgian Children's Milk Fund

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Print: Why Not Meet US In Hero Land? At The Belgian Children's Milk FundPrint Why Not Meet US In Hero Land At The Belgian Children s Milk FundPrint Why Not Meet US In Hero Land At The Belgian Children s Milk FundPrint Why Not Meet US In Hero Land At The Belgian Children s Milk FundPrint Why Not Meet US In Hero Land At The Belgian Children s Milk Fund
Size:16" x 24"

Key item features

  • Title: Why Not Meet US In Hero Land? At The Belgian Children's Milk Fund Opening November 24 At The Grand Central Palace /, 1917
  • Description: Poster showing a woman and child wearing traditional Belgian dress, the woman is holding a jug of milk, the child drinks from a bowl of milk, behind them stands a cart with two jugs of milk packed in straw, the cart is drawn by a dog, the Belgian flag provides a backdrop.
  • Creator: Sherwood, William Anderson, 1875-1951, artist
  • Subjects: Belgians--Clothing & dress--1910-1920, Flags--Belgian--1910-1920, Fund raising--1910-1920, World War, 1914-1918--Economic & industrial aspects--United States, World War, 1914-1918--Social aspects--United States
  • Collection: Posters: World War I Posters. During World War I, the impact of the poster as a means of communication was greater than at any other time during history. The ability of posters to inspire, inform, and persuade combined with vibrant design trends in many of the participating countries to produce thousands of interesting visual works. Most relate directly to the war, but some German posters date from the post-war period and illustrate events such as the rise of Bolshevism and Communism, the 1919 General Assembly election and various plebiscites. The majority of the posters were printed in the United States. Posters from Australia, Austria, Belgium, Canada, Germany, Great Britain, Italy, the Netherlands, and Russia are included as well. The posters range in style from anonymous broadsides (predominantly text) to graphically vibrant works by well-known designers.
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