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Second Lives : Black-Market Melodramas and the Reinvention of Television (Paperback)
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A history of prestige television through the rise of the “black-market melodrama.”
In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family’s everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family’s everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
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- Manual & guide typeInstruction Manual
- Book formatPaperback
- Edition1
- Pages288
- LanguageEnglish
- BrandMichael Szalay
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A history of prestige television through the rise of the "black-market melodrama." In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family's everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
A history of prestige television through the rise of the “black-market melodrama.”
In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family’s everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
In Second Lives, Michael Szalay defines a new television genre that has driven the breathtaking ascent of TV as a cultural force over the last two decades: the black-market melodrama. Exemplified by the likes of The Sopranos and Breaking Bad, the genre moves between a family’s everyday life and its secret second life, which may involve illegal business, espionage, or even an alternate reality. Second lives allow characters (and audiences) to escape what feels like endless work into a revanchist vision of the white middle class family. But there is for this grimly resigned genre no meaningful way back to the Fordist family wage for which it longs. In fact, Szalay argues, black-market melodramas lament the very economic transformations that untethered TV viewing from the daily rhythms of the nine-to-five job and led, ultimately, to prestige TV.
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Specifications
Manual & guide type
Instruction Manual
Book format
Paperback
Edition
1
Pages
288
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| Manual & guide type | Instruction ManualSecond Lives : Black-Market Melodramas and the Reinvention of Television (Paperback) | Instruction ManualGlobal Television : Co-Producing Culture (Paperback) | Instruction ManualMortimer's Money. [A Novel.] (Paperback) | Instruction ManualAccording to Plan, (Paperback) | Instruction ManualLandmarks of World Literature Lawrence: Sons and Lovers, (Paperback) | Instruction ManualWhose Mind is it Anyway?, (Paperback) | Instruction ManualLove Costs More Than You Think (Paperback) | Instruction ManualSecret Ties, (Paperback) | Instruction ManualEllacombe Chimes: Two Hundred Years, (Paperback) | Instruction ManualThe Ibsen Secret (Paperback) |
|---|---|---|---|---|---|---|---|---|---|---|
| Book format | PaperbackSecond Lives : Black-Market Melodramas and the Reinvention of Television (Paperback) | PaperbackGlobal Television : Co-Producing Culture (Paperback) | PaperbackMortimer's Money. [A Novel.] (Paperback) | PaperbackAccording to Plan, (Paperback) | PaperbackLandmarks of World Literature Lawrence: Sons and Lovers, (Paperback) | PaperbackWhose Mind is it Anyway?, (Paperback) | PaperbackLove Costs More Than You Think (Paperback) | PaperbackSecret Ties, (Paperback) | PaperbackEllacombe Chimes: Two Hundred Years, (Paperback) | PaperbackThe Ibsen Secret (Paperback) |
| Edition | 1Second Lives : Black-Market Melodramas and the Reinvention of Television (Paperback) | -Global Television : Co-Producing Culture (Paperback) | -Mortimer's Money. [A Novel.] (Paperback) | 1According to Plan, (Paperback) | 1Landmarks of World Literature Lawrence: Sons and Lovers, (Paperback) | 1Whose Mind is it Anyway?, (Paperback) | -Love Costs More Than You Think (Paperback) | 1Secret Ties, (Paperback) | 1Ellacombe Chimes: Two Hundred Years, (Paperback) | -The Ibsen Secret (Paperback) |
| Pages | 288Second Lives : Black-Market Melodramas and the Reinvention of Television (Paperback) | 224Global Television : Co-Producing Culture (Paperback) | 336Mortimer's Money. [A Novel.] (Paperback) | 670According to Plan, (Paperback) | 124Landmarks of World Literature Lawrence: Sons and Lovers, (Paperback) | 106Whose Mind is it Anyway?, (Paperback) | 68Love Costs More Than You Think (Paperback) | 240Secret Ties, (Paperback) | 154Ellacombe Chimes: Two Hundred Years, (Paperback) | 216The Ibsen Secret (Paperback) |
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