
EnRoute
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Following a series of coruscating servings of progressive uber funk for Verve, Scofield stripped down to a trio for this live session at New York's Blue Note club in December 2003. He hooked up with a pair of old friends, the terrific loose-limbed drummer Bill Stewart, and the tense, nimble bassist Steve Swallow, and the three go after each other in some often-furiously busy, driving, tangled interplay, defying the frigid New York weather of that period. Denzil Best's "Wee" gets a scorching, asymmetrical workout to start, and Swallow's "Name That Tune" promptly goes into super overdrive, with Scofield darting all over the place in his idiosyncratic way. "Hammock Soliloquy" varies between another of Scofield's irresistible, laid-back, country tunes and more combustible high-speed interplay, while "Bag" ain't nothin' but the blues with a volatile groove. A highly-convoluted trip through "It Is Written" precedes -- and partially pre-echoes -- a quiet ballad-tempo rendition of the Bacharach/David tune "Alfie." The closest thing to the jazz/funk jams of Scofield's recent past is an 11-minute closing workout called "Over Big Top" -- a paraphrase of "Bigtop" from his Groove Elation album -- churning and driving relentlessly. Leaning more toward Scofield's jazz side per se, this high-energy outing should pass the time quite agreeably until he unleashes another of his jazz/funk groove-a-thons. ~ Richard S. Ginell, Rovi
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- Fiction/nonfictionNon-Fiction
- LanguageEnglish
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Columbus, 43215
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EDITORIAL REVIEWS SCOFIELD JOHN LIVE EN ROUTE .COM With the live EnRoute, recorded at New York's Blue Note, guitarist John Scofield returns from the jam-band wars in challenging high style, leading a trio for the first time on record in more than 20 years. With his strong blues and funk sensibility, Scofield has always been the jazz guitarist most likely to succeed among rock listeners, and fans from both camps will be drawn to this purer improvisational enterprise. Teamed here with longtime drumming associate Bill Stewart and veteran bassist Steve Swallow (who was featured on those early-'80s trio albums), he's still jamming, but there's a sharpness of focus and a locked-in intensity among the musicians that you rarely encounter in jam-band settings--including his own. Emptying out his bag of much-imitated tricks--the sighing pedal tones, slab-like chords, shimmering lyrical lines, and controlled screams--Scofield romps through the bop classic, "Wee," and delivers a diaphanous reading of "Alfie." The album also features a pair of remakes: "Name That Tune," Swallow's bounding remake of Duke Ellington's "Perdido," and the leader's strutting "Over Big Top," based on "Bigtop" from his 1995 album, Groove Elation. From whatever perspective you choose, it's Scofield's best album since Time on My Hands, his 1990 quartet date with saxist Joe Lovano. --Lloyd Sachs
Following a series of coruscating servings of progressive uber funk for Verve, Scofield stripped down to a trio for this live session at New York's Blue Note club in December 2003. He hooked up with a pair of old friends, the terrific loose-limbed drummer Bill Stewart, and the tense, nimble bassist Steve Swallow, and the three go after each other in some often-furiously busy, driving, tangled interplay, defying the frigid New York weather of that period. Denzil Best's "Wee" gets a scorching, asymmetrical workout to start, and Swallow's "Name That Tune" promptly goes into super overdrive, with Scofield darting all over the place in his idiosyncratic way. "Hammock Soliloquy" varies between another of Scofield's irresistible, laid-back, country tunes and more combustible high-speed interplay, while "Bag" ain't nothin' but the blues with a volatile groove. A highly-convoluted trip through "It Is Written" precedes -- and partially pre-echoes -- a quiet ballad-tempo rendition of the Bacharach/David tune "Alfie." The closest thing to the jazz/funk jams of Scofield's recent past is an 11-minute closing workout called "Over Big Top" -- a paraphrase of "Bigtop" from his Groove Elation album -- churning and driving relentlessly. Leaning more toward Scofield's jazz side per se, this high-energy outing should pass the time quite agreeably until he unleashes another of his jazz/funk groove-a-thons. ~ Richard S. Ginell, Rovi
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Fiction/nonfiction
Non-Fiction
Language
English
Assembled product height
5.6 IN
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