Pre-Owned Bamboo in Japan (Hardcover) 4770025106 9784770025104

For centuries, bamboo has fascinated legions of craftspeople, plant lovers and devotees of the handcrafted object. And nowhere is bamboo used more elegantly and distinctly than in Japan. Its presence touches every part of daily life-art, crafts, design, literature, and food. Its beauty enlivens textile designs, restaurant interiors, and holiday festivities. Artist and writer Nancy Moore Bess set out to discover just how bamboo-crafted objects attained such heights in Japan. Her travels took her throughout the country and through centuries of accumulated artifacts. After five years of dedicated research and study, she has assembled an unparalleled collection of writings and photographs that uncover the hidden beauty of bamboo. Bess unveils the boundless uses of this versatile material in Japan, ranging from the most elegant and refined to the most humble. She shows bamboo's applications in the garden and home, in the cherished accessories of the tea ceremony and flower arranging, and in an endless array of crafts from elaborate baskets to colorful kites and dolls. With illuminating text and over 250 exquisite photographs, illustrations, and artwork, Bess reveals the intricacies and resources of this lovely versatile plant. She explores the Japanese reverence for bamboo's natural beauty, adding immeasurably to our knowledge of the Asian sensibility and lifestyle. AN ON-LINE INTERVIEW WITH THE AUTHOR] Q. Could you tell us a little about your background? A. I am fond of saying that I'm a basketmaker from California. It is true, but ... I have lived on the east coast more years than those early, influential ones in California. I learned to make baskets on 8th Avenue in New York City. Basketry is the focus of my professional life. I weave, teach, and exhibit. No matter where I travel, I find basketmakers and a conversation begins. Much of my first trip in Japan (11 months in 1986-87) was devoted to meeting basketmakers and watching them work. Q. What motivated you to write this book? / What got you started? A. When I first wrote the book proposal, I was thinking only of those basketmakers I had met in Japan - how hard they worked, how varied their baskets, how ubiquitous basketry was in Japan. As the book topic broadened to include ALL of bamboo in Japan, I found that I had much to learn, and the research began. Each interview led to more library work. Each book in the library led to more interviews. It was a never-ending circle for five years. I still can't resist a good book that reveals something new to me about bamboo in Japan. Q. Could you tell us a little about the contents of the book? A. The main thesis of the book is that bamboo touches every aspect in daily life in Japan, even in urban Tokyo or Osaka. At first, everyone tends to think this is an overly 'romantic' approach; however, upon more careful examination (or reading of Bamboo in Japan ), it becomes clear that, unlike other single 'material' in Japan, bamboo is linked to everything - language, ritual, home life, food, design, art, and crafts. Other plants are important, pine and rice straw, for instance. But they don't have both the symbolism AND the practical use, it is 'either/or.' Only bamboo touches the everyday and the elegant, the practical and the elite, the farmer and the urban housewife. Only bamboo can go from kitchen zaru to the artwork of Living National Treasures. Q. What do you see as the centerpiece of the book? / Why is the book important? A. The marriage of text and illustration makes Bamboo in Japan successful. This bond allows the reader to penetrate the book at many different levels - one can look at the illustrations, read only the captions, dive into one section or all. All the text and illustrations are tied to the main thesis - bamboo touches every aspect of daily life in Japan - so the impact is considerable. Bamboo in Japan is important, in part, because it hasn't