
A Thousand Cuts (Hardcover)
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Publishers Weekly,This entertaining chronicle from filmmaker Bartok and film archivist Joseph highlights a clandestine, largely bygone world of film print collectors. Long before DVD and Blu-ray, when VHS was still in its infancy, these collectors would buy, sell, trade, and copy movies. This hobby could be legitimate, legally ambiguous, or flat-out illegal. Critic Leonard Maltin's large collection of vintage short films is on the up-and-up, but Bartok and Joseph recount the great December 1974 film bust at the home of actor Roddy McDowall, of Planet of the Apes fame, from whom the FBI seized more 1,000 videos and 160 film prints. Their combined worth was comically overestimated at above $5 million. What this book does particularly well is capture the collectors' passion-the "illness of collecting," as it's called a few times. There's the collector who's spent 30 years to protect one B-grade science fiction film, The Day of the Triffids, and another just as obsessed with a 1927 biopic of Napoleon by French director Abel Gance. These are warm histories of eccentrics, each story by itself a kind of minor-key Moby-Dick. Taken together, they amount to an elegiac portrait of a vanishing filmic subculture. (Sept.) ��� Copyright PWxyz, LLC. All rights reserved.
Specs
- Book formatHardcover
- Fiction/nonfictionNon-Fiction
- GenreHistory
- Publication dateAugust, 2016
- Pages266
- SubgenreAntiques & Collectibles
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A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays. The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars. Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Tormé. A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.
Publishers Weekly,This entertaining chronicle from filmmaker Bartok and film archivist Joseph highlights a clandestine, largely bygone world of film print collectors. Long before DVD and Blu-ray, when VHS was still in its infancy, these collectors would buy, sell, trade, and copy movies. This hobby could be legitimate, legally ambiguous, or flat-out illegal. Critic Leonard Maltin's large collection of vintage short films is on the up-and-up, but Bartok and Joseph recount the great December 1974 film bust at the home of actor Roddy McDowall, of Planet of the Apes fame, from whom the FBI seized more 1,000 videos and 160 film prints. Their combined worth was comically overestimated at above $5 million. What this book does particularly well is capture the collectors' passion-the "illness of collecting," as it's called a few times. There's the collector who's spent 30 years to protect one B-grade science fiction film, The Day of the Triffids, and another just as obsessed with a 1927 biopic of Napoleon by French director Abel Gance. These are warm histories of eccentrics, each story by itself a kind of minor-key Moby-Dick. Taken together, they amount to an elegiac portrait of a vanishing filmic subculture. (Sept.) ��� Copyright PWxyz, LLC. All rights reserved.
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Specifications
Book format
Hardcover
Fiction/nonfiction
Non-Fiction
Genre
History
Publication date
August, 2016
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