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Thief in the Interior (Paperback)
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Publishers Weekly,Williams (Burn), editor of Vinyl Poetry and a 2013 Ruth Lilly Fellowship recipient, adroitly constructs a flowing personal narrative through such broader cultural issues as racism, religion, love, and homophobia. Speaking in a lyrically diverse delivery, and with emotions crackling within its formal constraints, Williams's collection acts as a labyrinth of self-spun webs and a lament for the bleak pattern of police brutality inflicted on black bodies. The bodies of young black boys are sacrificed; the cocktail of dire circumstance and systemic inheritances are made even crueler in the daylight. In "Agenda," Williams transforms the hoodie into a symbol of unspoken yet fierce brotherhood, while "The Force of Aperture" exposes the American Dream as "white writhing over black, the American aesthetic." Reading the collection's third section leaves bruises as Williams's poetic I filters the speaker's visceral reactions through various degrees of vulnerability. The bluntness and heat of such confessions produce a strange allure in the musicality of the lines and in the beating hearts behind the nameless characters profiled. More than a straightforward work of protest poetry, this book becomes a multitude of distinct voices into the collective sound of a larger movement. (Jan.) ��� Copyright PWxyz, LLC. All rights reserved.
Specs
- Book formatPaperback
- Fiction/nonfictionNon-Fiction
- GenreLiterature & Fiction
- Pub date2016-01-01
- Pages100
- SubgenrePoetry
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Product details
Recipient of a 2017 Whiting Award for Poetry
2017 Kate Tufts Discovery Award Winner
Nominated for the 2017 NAACP Image Awards for Outstanding Literary Work in Poetry
2016 INDIES Book of the Year Award Finalist
2017 Publishing Triangle's Thom Gunn Award Finalist
2017 Lambda Literary Awards Winner
2017 Eric Hoffer Book Award Finalist
2017 Nominee for 2017 Hurston/Wright Legacy Award for Poetry
Shortlisted for Chicago Review of Books Award in Poetry
One of BET's "12 Must-Read Books for 2016"
A kiss. Train ride home from a late dinner,
City Hall and document signing. Wasn't cold
but we cuddled in an empty car, legal.
Last month a couple of guys left a gay bar
and were beaten with poles on the way
to their car. No one called them faggot
so no hate crime's documented. A beat down
is what some pray for, a pulse left to count.
We knew we weren't protected. We knew
our rings were party favors, gold to steal
the shine from. We couldn't protect us,
knew the law wouldn't know how. Still, his
beard across my brow, the burn of his cologne.
When the train stopped, the people came on.
2017 Kate Tufts Discovery Award Winner
Nominated for the 2017 NAACP Image Awards for Outstanding Literary Work in Poetry
2016 INDIES Book of the Year Award Finalist
2017 Publishing Triangle's Thom Gunn Award Finalist
2017 Lambda Literary Awards Winner
2017 Eric Hoffer Book Award Finalist
2017 Nominee for 2017 Hurston/Wright Legacy Award for Poetry
Shortlisted for Chicago Review of Books Award in Poetry
One of BET's "12 Must-Read Books for 2016"
"This gorgeous debut is a 'debut' in chronology only. . . . Need is everywhere--in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."--Adrian Matejka
Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.
"Epithalamium"
A kiss. Train ride home from a late dinner,
City Hall and document signing. Wasn't cold
but we cuddled in an empty car, legal.
Last month a couple of guys left a gay bar
and were beaten with poles on the way
to their car. No one called them faggot
so no hate crime's documented. A beat down
is what some pray for, a pulse left to count.
We knew we weren't protected. We knew
our rings were party favors, gold to steal
the shine from. We couldn't protect us,
knew the law wouldn't know how. Still, his
beard across my brow, the burn of his cologne.
When the train stopped, the people came on.
Publishers Weekly,Williams (Burn), editor of Vinyl Poetry and a 2013 Ruth Lilly Fellowship recipient, adroitly constructs a flowing personal narrative through such broader cultural issues as racism, religion, love, and homophobia. Speaking in a lyrically diverse delivery, and with emotions crackling within its formal constraints, Williams's collection acts as a labyrinth of self-spun webs and a lament for the bleak pattern of police brutality inflicted on black bodies. The bodies of young black boys are sacrificed; the cocktail of dire circumstance and systemic inheritances are made even crueler in the daylight. In "Agenda," Williams transforms the hoodie into a symbol of unspoken yet fierce brotherhood, while "The Force of Aperture" exposes the American Dream as "white writhing over black, the American aesthetic." Reading the collection's third section leaves bruises as Williams's poetic I filters the speaker's visceral reactions through various degrees of vulnerability. The bluntness and heat of such confessions produce a strange allure in the musicality of the lines and in the beating hearts behind the nameless characters profiled. More than a straightforward work of protest poetry, this book becomes a multitude of distinct voices into the collective sound of a larger movement. (Jan.) ��� Copyright PWxyz, LLC. All rights reserved.
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Specifications
Book format
Paperback
Fiction/nonfiction
Non-Fiction
Genre
Literature & Fiction
Pub date
2016-01-01
Warranty
Warranty information
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Warnings
State Chemical Disclosure
No harmful chemicals
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