Since the time of Vitruvius, architects have been expected to have a broad knowledge of the arts and sciences. The need for good skills in sketching and working up drawings even led, from the sixteenth century onwards, to fierce debates on the meaning and status of disegno. While Italy saw the emergence of famous painters who excelle Since the time of Vitruvius, architects have been expected to have a broad knowledge of the arts and sciences. The need for good skills in sketching and working up drawings even led, from the sixteenth century onwards, to fierce debates on the meaning and status of 'disegno'. While Italy saw the emergence of famous painters who excelled as architects, also in the Southern Netherlands the notion that an architect must also have a mastery of the painter's art became widespread, owing in part to the dissemination of publications by Sebastiano Serlio and Pieter Coecke van Aelst. In the seventeenth century, Peter Paul Rubens was able to make his own contribution to this discussion as a consequence of his sojourns in Italy (1601-1608). Bringing together distinguished art and architecture historians from Europe and North America, this interdisciplinary approach will shed light on the interrelationship of architecture and painting in the Southern Netherlands.
