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Esprit Montmartre : Bohemian Life in Paris around 1900 (Hardcover)
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Removed from the glamour and over-the-top grandeur of Paris during the French Belle Époque, the village-like district of Montmartre stood apart for many poets, artists, and composers as the “other Paris,” a more rural place on the outskirts of the city. In contrast with the wide boulevards and well-tended parks of Haussmann’s Paris, Montmartre possessed stretches of still-vacant land, strolling flâneurs, and the infamous
maquis packed with the makeshift homes of les misérables.
As a bohemian refuge from the relentlessly modern metropolis, Montmartre played an important role for Van Gogh, Picasso, Toulouse-Lautrec, and the many other creatives who called the hilltop neighborhood home. While the works of the earlier impressionists tended to mirror the well-heeled bourgeois lifestyle to which they were accustomed, this new generation of post-impressionists captured the idyllic landscapes and quaint corner cafés of Montmartre as well as its harsh realities, including the lives of vagabonds and prostitutes. The more than three hundred paintings reproduced in this volume are organized thematically, with chapters that collect works portraying everyday street scenes, the “rural city” and the effects of urbanization, and the raucous Montmartre nightlife, including paintings of the Moulin de la Galette and the legendary Moulin Rouge. The paintings are accompanied by maps and historical photographs, including works by Eugène Atget.
A critic of the time once commented on Montmartre that “the quarter resembles a huge studio.” Esprit Montmartre explores this rich period of artistic production, the contexts that influenced it, and how these contexts continue to influence the image of the artist and subject today.
maquis packed with the makeshift homes of les misérables.
As a bohemian refuge from the relentlessly modern metropolis, Montmartre played an important role for Van Gogh, Picasso, Toulouse-Lautrec, and the many other creatives who called the hilltop neighborhood home. While the works of the earlier impressionists tended to mirror the well-heeled bourgeois lifestyle to which they were accustomed, this new generation of post-impressionists captured the idyllic landscapes and quaint corner cafés of Montmartre as well as its harsh realities, including the lives of vagabonds and prostitutes. The more than three hundred paintings reproduced in this volume are organized thematically, with chapters that collect works portraying everyday street scenes, the “rural city” and the effects of urbanization, and the raucous Montmartre nightlife, including paintings of the Moulin de la Galette and the legendary Moulin Rouge. The paintings are accompanied by maps and historical photographs, including works by Eugène Atget.
A critic of the time once commented on Montmartre that “the quarter resembles a huge studio.” Esprit Montmartre explores this rich period of artistic production, the contexts that influenced it, and how these contexts continue to influence the image of the artist and subject today.
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- Book formatHardcover
- Fiction/nonfictionNon-Fiction
- Publication dateApril, 2014
- Pages320
- EditionHardcover
- PublisherHirmer Publishers
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A comprehensive documentation will extend and contextualize the core subjects of the show. Historical photographs by Eugène Atget and others, as well as numerous posters and picture postcards of Montmartre, will help to shed light on further facets of this extraordinary moment in the history of art.
The catalogue and special “Focal Points” in the exhibition will present the artists’ literary friends like Paul Verlaine, composers such as Jacques Offenbach, Erik Satie and Hector Berlioz, and early art dealers on Montmartre like Berthe Weill, who was the first purchasing several works by Picasso, next to the protagonists of those years’ endeavors in the fine arts.
While earlier exhibitions like “Toulouse-Lautrec and Montmartre” (Washington/Chicago 2005) or “Picasso in Paris 1900–1907” (Amsterdam 2011) only centered on individual artists, the presentation in the Schirn Kunsthalle will comprehensively examine the entire artistic and intellectual microcosm of Montmartre with its rare accumulation of high-carat works and its lasting relevance for the artists’ self-understanding until today.
Schirn Kunsthalle Frankfurt 7 February – 25 May 2014
The catalogue and special “Focal Points” in the exhibition will present the artists’ literary friends like Paul Verlaine, composers such as Jacques Offenbach, Erik Satie and Hector Berlioz, and early art dealers on Montmartre like Berthe Weill, who was the first purchasing several works by Picasso, next to the protagonists of those years’ endeavors in the fine arts.
While earlier exhibitions like “Toulouse-Lautrec and Montmartre” (Washington/Chicago 2005) or “Picasso in Paris 1900–1907” (Amsterdam 2011) only centered on individual artists, the presentation in the Schirn Kunsthalle will comprehensively examine the entire artistic and intellectual microcosm of Montmartre with its rare accumulation of high-carat works and its lasting relevance for the artists’ self-understanding until today.
Schirn Kunsthalle Frankfurt 7 February – 25 May 2014
Removed from the glamour and over-the-top grandeur of Paris during the French Belle Époque, the village-like district of Montmartre stood apart for many poets, artists, and composers as the “other Paris,” a more rural place on the outskirts of the city. In contrast with the wide boulevards and well-tended parks of Haussmann’s Paris, Montmartre possessed stretches of still-vacant land, strolling flâneurs, and the infamous
maquis packed with the makeshift homes of les misérables.
As a bohemian refuge from the relentlessly modern metropolis, Montmartre played an important role for Van Gogh, Picasso, Toulouse-Lautrec, and the many other creatives who called the hilltop neighborhood home. While the works of the earlier impressionists tended to mirror the well-heeled bourgeois lifestyle to which they were accustomed, this new generation of post-impressionists captured the idyllic landscapes and quaint corner cafés of Montmartre as well as its harsh realities, including the lives of vagabonds and prostitutes. The more than three hundred paintings reproduced in this volume are organized thematically, with chapters that collect works portraying everyday street scenes, the “rural city” and the effects of urbanization, and the raucous Montmartre nightlife, including paintings of the Moulin de la Galette and the legendary Moulin Rouge. The paintings are accompanied by maps and historical photographs, including works by Eugène Atget.
A critic of the time once commented on Montmartre that “the quarter resembles a huge studio.” Esprit Montmartre explores this rich period of artistic production, the contexts that influenced it, and how these contexts continue to influence the image of the artist and subject today.
maquis packed with the makeshift homes of les misérables.
As a bohemian refuge from the relentlessly modern metropolis, Montmartre played an important role for Van Gogh, Picasso, Toulouse-Lautrec, and the many other creatives who called the hilltop neighborhood home. While the works of the earlier impressionists tended to mirror the well-heeled bourgeois lifestyle to which they were accustomed, this new generation of post-impressionists captured the idyllic landscapes and quaint corner cafés of Montmartre as well as its harsh realities, including the lives of vagabonds and prostitutes. The more than three hundred paintings reproduced in this volume are organized thematically, with chapters that collect works portraying everyday street scenes, the “rural city” and the effects of urbanization, and the raucous Montmartre nightlife, including paintings of the Moulin de la Galette and the legendary Moulin Rouge. The paintings are accompanied by maps and historical photographs, including works by Eugène Atget.
A critic of the time once commented on Montmartre that “the quarter resembles a huge studio.” Esprit Montmartre explores this rich period of artistic production, the contexts that influenced it, and how these contexts continue to influence the image of the artist and subject today.
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Specifications
Book format
Hardcover
Fiction/nonfiction
Non-Fiction
Genre
Art, Music, and Photography
Publication date
April, 2014
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