
New Day in Babylon: The Black Power Movement and American Culture, 1965-1975, (Paperback)
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Publishers Weekly,To Van Deburg, the Black Power movement was not solely a political phenomenon that yielded minuscule gains for African Americans. It was ``essentially cultural,'' a ``collective thrust . . . toward racial pride, strength, and self-definition.'' Along with revolutionaries like the Black Panthers, community control activists and separatists, the movement included cultural nationalists such as Amiri Baraka (who later became a Marxist) and Maulana Ron Karenga. In fostering self-actualization, Black Power, in Van Deburg's telling, employed soul music, urban folktales, paintings, prison writings and comedy. Black novelists, playwrights and poets, rejecting definitions of aesthetic beauty they claimed were specific to whites, crafted ``alternative formulations that were far more relevant to black people,'' contends the author, a professor of Afro-American studies at the University of Wisconsin. This vigorous, impassioned study sifts through the cultural legacy of the Black Power movement for a new generation seeking racial equality and identity. Photos. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Specs
- Book formatPaperback
- Fiction/nonfictionNon-Fiction
- Publication dateNovember, 1993
- Pages388
- Reading levelUndergraduate
- SubgenreSociology
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The most comprehensive account available of the rise and fall of the Black Power Movement and of its dramatic transformation of both African-American and larger American culture. With a gift for storytelling and an ear for street talk, William Van Deburg chronicles a decade of deep change, from the armed struggles of the Black Panther party to the cultural nationalism of artists and writers creating a new aesthetic. Van Deburg contends that although its tactical gains were sometimes short-lived, the Black Power movement did succeed in making a revolution--one in culture and consciousness--that has changed the context of race in America. "New Day in Babylon is an extremely intelligent synthesis, a densely textured evocation of one of American history's most revolutionary transformations in ethnic group consciousness."--Bob Blauner, New York Times Winner of the Gustavus Myers Center Outstanding Book Award, 1993
Publishers Weekly,To Van Deburg, the Black Power movement was not solely a political phenomenon that yielded minuscule gains for African Americans. It was ``essentially cultural,'' a ``collective thrust . . . toward racial pride, strength, and self-definition.'' Along with revolutionaries like the Black Panthers, community control activists and separatists, the movement included cultural nationalists such as Amiri Baraka (who later became a Marxist) and Maulana Ron Karenga. In fostering self-actualization, Black Power, in Van Deburg's telling, employed soul music, urban folktales, paintings, prison writings and comedy. Black novelists, playwrights and poets, rejecting definitions of aesthetic beauty they claimed were specific to whites, crafted ``alternative formulations that were far more relevant to black people,'' contends the author, a professor of Afro-American studies at the University of Wisconsin. This vigorous, impassioned study sifts through the cultural legacy of the Black Power movement for a new generation seeking racial equality and identity. Photos. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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Specifications
Book format
Paperback
Fiction/nonfiction
Non-Fiction
Genre
Political & Social Sciences
Publication date
November, 1993
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