

The Censorship of British Drama 1900-1968 Volume 4 : Volume Four: The Sixties (Hardcover)
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This volume is the fourth and final part of Steve Nicholson’s analysis of British theater censorship based on previously undocumented material in the Lord Chamberlain’s Correspondence Archives in the British Library and the Royal Archives at Windsor. The 1960s was a significant decade for the British, both in social and political spheres, especially in theaters. As certainties shifted and social divisions widened, a new generation of theater makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays that were silenced forever, this book reveals how a powerful elite exerted pressure over these new voices in an attempt to preserve the veneer of a polite, unquestioning society.
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- Book formatHardcover
- Fiction/nonfictionNon-Fiction
- GenreHistory
- Publication dateOctober, 2015
- Pages368
- Reading levelGeneral (US: Trade)
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Winner of the Society for Theatre Research Book Prize - 2016
New paperback, with contextualising timeline and biographies, published in association with the Society for Theatre Research
This volume covers the 1960s, a significant decade in social and political spheres in Britain, especially in the theatre.
Winner of the Society for Theatre Research Book Prize - 2016
This is the final volume in a new paperback edition of Steve Nicholson's definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday's conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society.
This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
DOI: https: //doi.org/10.47788/TGOJ9339
This volume is the fourth and final part of Steve Nicholson’s analysis of British theater censorship based on previously undocumented material in the Lord Chamberlain’s Correspondence Archives in the British Library and the Royal Archives at Windsor. The 1960s was a significant decade for the British, both in social and political spheres, especially in theaters. As certainties shifted and social divisions widened, a new generation of theater makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Focusing on plays we know, plays we have forgotten, and plays that were silenced forever, this book reveals how a powerful elite exerted pressure over these new voices in an attempt to preserve the veneer of a polite, unquestioning society.
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