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Various Artists - Best of Bond: James Soundtrack - CD
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One of the signature aspects of a James Bond movie is its theme song, and, as demonstrated on this collection of those songs, there is a remarkable consistency to them. 1962's Dr. No, the first Bond film, featured Monty Norman's "James Bond Theme," a distinctive instrumental piece that has figured in every Bond picture since and that leads off the disc. But with the second entry in the series, 1963's From Russia With Love, there was a specially written title song sung by a contemporary pop artist during the opening credits. And as of the third entry, 1964's Goldfinger, that song, as often as not, would become a hit. Shirley Bassey's melodramatic performance of "Goldfinger" remains a standard for Bond themes, but, just as the films have been subtly updated through the years, so the theme songs have reflected changes in pop music. Echoes and approximations of Norman's theme turn up over and over as a basis for the songs, even though they make room for individual interpretation. For example, Gladys Knight's "License to Kill" from 1989 may be an '80s power ballad complete with synthesizer accompaniment, but it still uses familiar orchestral elements. And some of the least-characteristic songs are also some of the most successful. Carly Simon's "Nobody Does It Better" doesn't even use a film title, yet it is one of the better-remembered theme songs. Many of the artists who sing the songs are pop footnotes (a-ha, Sheena Easton), but they were hot when they were asked to participate, and their performances hold up. [Originally released in 1999, the album was reissued in a 40th anniversary edition in 2002 containing three additional tracks, one of which was Garbage's theme song for The World Is Not Enough and another, Moby's electronica-styled reconstruction of the original theme. It was reissued again in 2008 with Madonna's contribution to 2002's Die Another Day and Soundgarden/Audioslave front man Chris Cornell's "You Know My Name" from 2006's Casino Royale, the first film to feature Daniel Craig as James Bond.] ~ William Ruhlmann, All Music Guide
Specs
- PerformerVarious Artists
- Music genreSoundtracks
- Music release typeCompilation
- Media formatCD
- Original release date2008
- LanguageEnglish
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James Bond themes tend to be just as memorable as their movie counterparts and, to a certain extent, just as time sensitive. While many fans can remember the Monty Norman Orchestra's steamy Dr. No theme or Shirley Bassey's quot;Goldfinger,quot; how many of US remember Rita Coolidge's dated quot;All Time Highquot; from Octopussy or A-Ha's theme from the Living Daylights? Yes, just as we all have our favorite Bonds, we all have our favorite eras of Bond movie music. But surprisingly, whether they're New Wave, soul, or just Euro- pop inspired, most are still worth hearing. There are some real gems on this compilation: On Her Majesty's Secret Service's quot;We Have All the Time in the Worldquot; by Louis Armstrong, the Thunderball theme sung by Tom Jones, and the spunky theme to the Man with the Golden Gun by Lulu. Just overlook those sporadic lean years and you have a pretty stiff soundtrack cocktail here. Also features a DVD that includes music videos as well as live performances by Duran Duran, Tina Turner, Tom Jones, Carly Simon and more!
One of the signature aspects of a James Bond movie is its theme song, and, as demonstrated on this collection of those songs, there is a remarkable consistency to them. 1962's Dr. No, the first Bond film, featured Monty Norman's "James Bond Theme," a distinctive instrumental piece that has figured in every Bond picture since and that leads off the disc. But with the second entry in the series, 1963's From Russia With Love, there was a specially written title song sung by a contemporary pop artist during the opening credits. And as of the third entry, 1964's Goldfinger, that song, as often as not, would become a hit. Shirley Bassey's melodramatic performance of "Goldfinger" remains a standard for Bond themes, but, just as the films have been subtly updated through the years, so the theme songs have reflected changes in pop music. Echoes and approximations of Norman's theme turn up over and over as a basis for the songs, even though they make room for individual interpretation. For example, Gladys Knight's "License to Kill" from 1989 may be an '80s power ballad complete with synthesizer accompaniment, but it still uses familiar orchestral elements. And some of the least-characteristic songs are also some of the most successful. Carly Simon's "Nobody Does It Better" doesn't even use a film title, yet it is one of the better-remembered theme songs. Many of the artists who sing the songs are pop footnotes (a-ha, Sheena Easton), but they were hot when they were asked to participate, and their performances hold up. [Originally released in 1999, the album was reissued in a 40th anniversary edition in 2002 containing three additional tracks, one of which was Garbage's theme song for The World Is Not Enough and another, Moby's electronica-styled reconstruction of the original theme. It was reissued again in 2008 with Madonna's contribution to 2002's Die Another Day and Soundgarden/Audioslave front man Chris Cornell's "You Know My Name" from 2006's Casino Royale, the first film to feature Daniel Craig as James Bond.] ~ William Ruhlmann, All Music Guide
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Specifications
Performer
Various Artists
Music genre
Soundtracks
Music release type
Compilation
Media format
CD
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