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About this item
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Paperback, Museum of Modern Art, 2013, ISBN13 9780870708947, ISBN10 0870708945
In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known "Combines," is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six "Combines" in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.
|Number of Pages:||47|
|Number in Series:||1|
|Author:||Rauschenberg, Robert , Dickerman, Leah|
|Publisher:||Distributed Art Pub Inc|
|Assembled Product Dimensions (L x W x H):||7.00 x 8.75 x 0.25 Inches|
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