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Fails to make the most of its source material by trimming Shakespeare's plot and squeezing it into a vacuous high school comedy.

A comedy that lacks both the verbal sophistication of its source and the sexual sophistication of its target audience.

It's sexy, offbeat fun for the most part, but it's way too laid-back for its own good and, in the end, obstinately refuses to be anything more than the sum of its highly promising parts.

Newcomer Foster cites Lauren Bacall as a precursor, but her ingnue fatale is more like a lost Olsen triplet.

Te movie picks up in the final act as Agnieszka's political activities begin to eclipse her personal drama, culminating in the historic 1980 strike that would lead to the creation of free labor unions in Poland.

An inspiring tale of a small woman who stands tall in the face of injustice.

One just waits grimly for the next shock without developing much attachment to the characters.

Never decides whether it wants to be a black comedy, drama, melodrama or some combination of the three.