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Youth Without Youth smacks of vanity project from the first poetic moments to the last, and whose vanity lays a stronger claim to the big screen than Francis Ford Coppola's?

For all its flaws and there aren't very many, with Youth Without Youth you know you're in the hands of a master.

It's too turgid with its own upholstered pomp.

This putrid dish marks a new low for director Roland Joffe.

Its epic tale of two cultures tragically entwined is anchored by deep and elemental emotions.

Conditions for the characters may be bleak, but their perseverance makes the story compelling.

A disastrous adaptation of an excellent play.

Both Oldman and Roth turn in flat and uninspiring performances.

Rob Roy has its diversions, but they are unfortunately outweighed by some heavy baggage that contains not enough of substance.

Neeson makes a less dashing action hero than did Day-Lewis, but he brings enough gravitas to his role to endow his love for his wife Mary (Lange) and his conflict with Cunningham with real emotional punch.

Undoubtedly one of the best films of the 1990s, and probably one of the best directorial debuts of all time, Reservoir Dogs announced the arrival of one of contemporary cinema's hottest talents -- and he came out shooting.

Tarantino, in Reservoir Dogs, has made a nihilist comedy about how human nature will always undercut the best-laid plans.

For the third time in less than a decade, Alexandre Dumas is turning over in his grave.

A stale Euro-pudding.