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...a Gen-Y Terms of Endearment that bullseyes both the existential dilemma and piercing clarity that cancer sufferers experience.

For all of the attention 50/50 has gotten for being the 'cancer comedy', it's received not nearly enough praise for being so moving and emotionally satisfying.

At times the structure labours, but ultimately Fanboys rises above routine Hollywood fare because it never makes fun of the people it represents.

Buoyed by infectious high spirits and self-deprecating humour, the film works in strange and perhaps unintentional ways, thanks largely to the sustained energy of the lead actors, and writers Ernest Cline and Adam F. Goldberg.

Funny People is funny, moving, dramatic, and alternately hilarious. It's a bit like a stand-up dramedy.

Funny People may be deeply flawed, but at least it has an accurate title.

It's a sweet, strange soulfulness that makes Horton an out-and-out winner.

Charming, funny, with great turns from a juicy cast and the added bonus of minimal finger-wagging. Just stay well clear if you're not in a good place for psychosis-inducing imagery.

Ultimately the film says that fate has a way of kicking you up a notch, if you can somehow let yourself rise to the occasion.

Judd Apatow's follow-up to The 40-Year-Old Virgin is snort-all-over-the-person-in-front-of-you funny, hand-over-mouth filthy, and as exhilarating as inhaling from a 10-ton oxygen tank.

Director Nesher has a way of reducing each confrontation to its two-dimensional essence, and he's not helped by a swampy, sentimental musical score.

Restrained direction and the cast's strong, disciplined performances keep it from falling into soap-opera territory.

Go for a beer in the middle forty minutes; come back refreshed for the ... [final] extraordinary battle sequence.

The massive amount of artistry that has gone into the cinematography, lighting and design makes this as sumptuous and pleasing a film to behold as Tangled.

The film has some serious problems, the first being - and yes, I feel ridiculous for even attributing this complaint to a film with the above title - a completely pat narrative that seriously lacks character development

Not only spectacularly well made but frequently very funny.