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A solid mockumentary of both comedy and compassion.

While Lisa Picard may not have the freshest theme around, it is funny and well acted and very knowing about the ins and outs of show business.

DreamWorks' first reprehensible fiasco.

The humour is genial and both Affleck and Bullock are easy on the eye, but the film itself ends up being little more than a storm in a teacup.

Structurally, the film's off-kilter. The start of the relationship is rushed through, while the supposedly crucial notice period feels increasingly directionless. Which leaves the comic strand - and that, by and large, delivers.

Much of the reason for the film's success is down to the pairing of Grant and Bullock, and it's easy to see how the film could have been a leaden disaster in the hands of blander actors.

Although I enjoyed portions of the movie, I can't wholeheartedly recommend something with such an unfortunate and dissatisfying conclusion!

A disappointing brew of slick commercial moviemaking and old-fashioned romantic fantasy!

While there may not be many surprises, there's little to dislike either.

Unless you think it's a riot to watch Bullock fall over herself repeatedly in high heels, this Miss is a mess.

This, to me, is a classic example of a sequel that was just made because the first one made money. I didn't even like the first one.

Like its predecessor, Miss Congeniality 2 is by turns a predictable and outlandishly contrived take on the Pygmalion myth.

While there are pleasures to be had from watching so many grand actresses strut their stuff, the fact is that the overriding preoccupation here rests with surface impressions rather than psychological probity.

Better make the most of the first ten minutes of this execrable melodrama (directed by the scriptwriter of Thelma & Louise), because from then on it's the yackety-yack sisterhood in spades.

This year's Sleepless In Seattle. Only better.

Bullock just about knocks herself exhausted being winsome and lovable.

[An] aimless romantic-comedy caper.

28 Days is too glib too often to make much of an impression any way you look at it.

It's going to take more than 28 Days to jump-start Sandra Bullock's stalled career.

A Photoshopped image of reality that is bland, parochial, and stereotypically acted by a cast who have nothing like the subtlety and range of Trey Parker's puppets from Team America: World Police.

Bullock turns in a terrific, ball-breaking performance. Unfortunately, the rest of the film is painfully patronising.