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Nicole Kidman is superb as the woman who blooms and goes a trifle mad at the touch of this other world inhabited by Lionel, and Robert Downey Jnr is the perfect actor for the role.

An interestingly designed but inescapably pointless film.

The movie creates such an urgent situation, and fills it with such interesting characters, that when everything goes wrong at the end I felt more than disappointed, I felt cheated.

The best things about Firstborn are the easy, natural performances of the actors.

The acting hits all the right notes.

I guess one out of three ain't bad.

Three is a crowd, and Wong and Soderbergh would have got along just fine without Antonioni there to wreck the marriage.

Though some of the caricatures wear thin, some of the acting rises to a high level.

Cruise and particularly Downey are something to behold: They give this Thunder its lightning.

For fans of DeLillo, Keaton and/or either team in that classic Series, this curious little picture is worth tracking down.

For better and worse, this is a fiction writer's movie: the dialogue is admirably precise, yet the restrictive worldview that's so gripping in DeLillo's books seems like mere solipsism on-screen.

There's no crescendo in Joe Wright's drama.

Intelligent and uncompromising, with knock-out performances from Downey Jr. and Foxx.

Beautifully poised, slow and sinister: a trance of expectant menace in which Fincher holds his audience until the movie's finale.

There are no tidy, last-minute plot twists to make you feel good in Fincher's Zodiac, just focus -- to keep an audience focused -- and the most disciplined filmmaking you've seen in forever.

In this very funny Rodney Dangerfield comedy, there has been an important shift in Rodney's entertainment persona, a shift that has made this small film a monster hit.

It's a good character for Dangerfield, one that veers him away from the 'I don't get no respect' pathos that comes too easily to him, and enough attention is paid to the minimal plot to integrate Dangerfield's classically constructed one-liners.