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Literate, oldfashioned, soul-filling and thoroughly romantic.

Laborious, but beautifully crafted 193 minute opus from the master of epic cinema, David Lean.

An unknown treasure of a fantasy film and well worth a look for fans of the genre.

The film excels as a visual exercise, as a study in adolescent psychology, and even as astute political analysis.

Watchable mainly for the sheer skill and drive of Preminger's direction, although at 220 minutes even that long outstays its welcome.

In the end, one should take from this picture a shaken feeling of having been through a lot of harsh and ennobling experiences.

Token attempt at street cred: if Paul doesn't get the tapes back, he'll be taken over by a sunglasses-wearing business shark.

Give My Regards to Broad Street is about as close as you can get to a nonmovie, and the parts that do try something are the worst.

No less than an epic look at society is created in Lindsay Anderson's third and most provocative film.

O Lucky Man! is a disappointment.

The mixture of mayhem and heehaw is particularly tricky to handle, and not even the sure hand of Director Reed has always achieved a smooth blend.

So much potential in casting, script etc... but the translation from the book didn't quite make sense on screen.

Loud, crude and outlandish, Rollerball is a parody of itself, a frenzy of extreme-sports stunts masquerading as social commentary on violence and the corporate forces that feed off it.

A dire re-working of the provocative 1975 sci-fi satire.