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Live in the moment. Carpe Diem. Get Busy Livin. We get it, already.

Overwritten and overcooked, Remember Me still manages a few explosive sequences between Pattinson and Pierce Brosnan.

I thought it was mischievous and witty and amusing and I was just sort of drawn into it.

It's not enough to compensate for the computer-game-style plotting, which is largely based on us picking up narrative nuggets that mechanically slot into place later on.

Perhaps they don't create quite enough deeply funny earthlings to go around, but a thoroughly meanspirited big-budget movie is always a treasurable rarity.

oaded with wit, nifty little ideas and an extraordinary sense of design, but its allure is of quite a particular nature, much closer to that of Ed Wood than of Burton's earlier, and far more commercially successful, works.

Although overly sappy in places and probably 20 minutes too long, this Robin Williams-in-drag vehicle provides the comic a slick surface for doing his shtick, within a story possessing broad family appeal.

I've rarely laughed so much at a movie I generally disliked.

The story is ... urh. No film has ever had a more irrelevant story.

A sage once advised being wary of movies in which the people on screen are having more fun than the people in the audience. Mamma mia, was that good advice.

Brosnan, however, looks set to stay. He'll never recapture the amused cool of the young Sean Connery, but he does overcome the handicap of looking like a humorless male model.

I don't know whether the Bond series has a future, but if Xenia Onatopp ever returns to try for world domination, he may finally get a battle worth fighting.

The movie is better than you've heard, although that's not saying a lot.

This keeps one reasonably amused, titillated, and brain-dead for a little over two hours.

An attractive cast, silly gadgets, bad puns, worse CGI and a totally ludicrous plot make this the least of the Brosnan Bonds, but it all paves the way for an injection of grit with Casino Royale.

The problem for me is that the story is so entirely at the service of the special effects.