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Witless, lowbrow fun is the signature of this so-so comedy with Larry the Cable Guy in fine fat form as a country bumpkin deputy sheriff with delusions of grander than smalltown cop

Gratuitous support-our-troops iconography and post-9/11 paranoia permeate a harebrained plot.

The energy and conviction of the action sequences don't quite compensate for Windtalkers' emotional cliches and historical heedlessness.

A powerful premise turned into a stubbornly flat, derivative war movie.

If it weren't for the likeability of Jackie Chan and his inventive, acrobatic, larger than life and entertaining martial arts prowess, a film like The Tuxedo would be a minor disaster.

Surely Jackie Chan deserves better than this?

The dinosaur creations are even better than those in the first film --- credible, breathtaking and frightening. As for the rest, every department pales by comparison.

More turns out to be less in this lacklustre sequel, though once again the effects are a thrill to behold.

A high-concept/low-impact twist on torture porn, The Killing Room will likely do its slaying on DVD.

Like an ex-addict reminiscing over their days of dependence, it's dead behind the eyes: hollowed out.

It never quite convinces you this is anything but a fashion shoot.

"Small Town Murder Songs" moves so deliberately, with such confident authority, that every small event takes on cumulative significance...

Beneath a deceptive calm, it uncovers a core of fear and loathing as ominous as the backwoods world of "Winter's Bone."

A medical-underworld thriller that teaches the star of TV's The X-Files something about Z-grade theatrical pics.

In a season of smug, telegraphed quirkiness (hello, Little Miss Sunshine), the rambling Nacho Libre, like director Jared Hess' previous Napoleon Dynamite, feels like an original.

It's more outrageous than hilarious, yet Nacho Libre has the same kind of sweet poignancy its filmmaker Jared Hess brought to his 2004 cult hit Napoleon Dynamite.

"Janie Jones'' would feel more assured if Rosenthal had shown more inclination to commit.

Nivola and Breslin make a terrific mismatched pair in a film that often resembles a mash-up of "Crazy Heart" and Sofia Coppola's "Somewhere"...