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It's a film which is so demeaningly bad, so utterly without merit, that there is a kind of purity in its awfulness.

It takes a fairy tale and plays it for laughs, without being remotely funny.

The dinosaur creations are even better than those in the first film --- credible, breathtaking and frightening. As for the rest, every department pales by comparison.

More turns out to be less in this lacklustre sequel, though once again the effects are a thrill to behold.

At times this fanciful romp lurches uneasily between violence, slapstick comedy and sublime escapism - in other words, it's pure Gilliam.

...darkly amusing, often entertaining and overwhelmingly bizarre. Ultimately, the film gets bogged down in its own adventurous aspirations, although it looks a treat with splendid production design and fantastic effects.

Ultimately, especially coming from director Lasse Hallstrom, such a slight flick doubles as a fat disappointment.

If you can't be bothered running a nice warm bath, see this instead.

In a season of smug, telegraphed quirkiness (hello, Little Miss Sunshine), the rambling Nacho Libre, like director Jared Hess' previous Napoleon Dynamite, feels like an original.

It's more outrageous than hilarious, yet Nacho Libre has the same kind of sweet poignancy its filmmaker Jared Hess brought to his 2004 cult hit Napoleon Dynamite.

The energy and conviction of the action sequences don't quite compensate for Windtalkers' emotional cliches and historical heedlessness.

A powerful premise turned into a stubbornly flat, derivative war movie.

Witless, lowbrow fun is the signature of this so-so comedy with Larry the Cable Guy in fine fat form as a country bumpkin deputy sheriff with delusions of grander than smalltown cop

Gratuitous support-our-troops iconography and post-9/11 paranoia permeate a harebrained plot.

While he's fine playing bemused and beleaguered, Routh can't muster the edginess that Dylan is also meant to have. Diggs looks fabulous, but has his own problems with the dangerous stuff.

Brings vampires, werewolves, zombies, detective noir and spoofy comedy together for a murky genre gumbo with barely any flavor.

"Janie Jones'' would feel more assured if Rosenthal had shown more inclination to commit.

Nivola and Breslin make a terrific mismatched pair in a film that often resembles a mash-up of "Crazy Heart" and Sofia Coppola's "Somewhere"...

Epitomising everything that's wrong with modern Hollywood, Bad Boys II isn't simply bad, it's one of the worst films of the year.

This sequel is as sour and jaded as they come.

Fargo is a strikingly mature, uniqueentertainment that plays on many levels ... all satisfying.

The Coens remain effortlessly ahead of the American field.

An enjoyable revelation.

Blazes few new trails and bogs down in a confusing narrative muddle.

Like an ex-addict reminiscing over their days of dependence, it's dead behind the eyes: hollowed out.

It never quite convinces you this is anything but a fashion shoot.