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An enjoyable little film, certainly a cut above the direct-to-video treatment its getting

A misconceived comedy that despite a warmly empathetic performance from Kathy Bates, never makes its characters' unorthodox chemistry gel.

An intriguing and eerie film that becomes more chilling every minute

This is a moody, creepy thriller with some genuinely scary moments and a couple of twists that took me completely by surprise.

Shoddy and never credible, The Mysteries of Pittsburgh is an ungainly coming-of-age drama based on a (hopefully much better) novel by Pulitzer Prize-winning author Michael Chabon.

The Mysteries of Pittsburgh seems to be missing an essential element of drama, of risk, underneath its glossy, golden sheen.

The Dying Gaul isn't dead on arrival. But its death throes are only as interesting as the actors, characters and dialogue can make them.

The film plays for keeps: It hurts and it doesn't back away from messy questions about art, commerce and conscience.

Lacks the journalistic killer instinct that could have elevated it above the well-executed but slightly sanctimonious, made-for-TV feel

Does a superb job in presenting four of the five journalistic 'Ws' of its story: the who, what, where and when. It fails, however, on the essential 'why' of the tale.

Robot & Frank does not quite deliver a killer punch, but it's an engaging, humane fantasy.

Here's a film with a premise that could have played horrendously in the wrong hands.

Jake Gyllenhaal gets better with each role and here he is impressive as the novice CIA analyst forced to confront his own conscience

I don't fault Rendition for its liberal politics. I fault it for hammering home those politics in such pounding, slanted fashion.

Decidedly amoral.

Collet-Serra's film succeeds in being genuinely creepy, is commendably well acted by all concerned, and contains the best twist since The Crying Game.

He's a terribly flawed man but instead of soapy histrionics, Condon underlines the tragedy with outrageous humour.

The shame is that the film doesn't convey more mess or danger; its sex and its politics are almost entirely dinner-table-friendly.

Why did movie moguls think that this was the right moment for a tale of unflinching loyalty to the Soviet Union?

... may bear a few scars of its Hollywood production, but it's an effecting and hard-hitting drama.

Sporadically entertaining, and ultimately pointless -- although that seems to be its agenda right from the start.

It's another fine Gyllenhaal performance, but not really enough, because his suffering doesn't amount to a hill of Kuwaiti sand in the end.

A good film from an accomplished director but one that is well down the list of his finest achievements.

The whole gumbo lacks real zing.