Popular Paul Dooley Products

The songs (co-written by Guest and Tapster Harry Shearer) are suitably ridiculous and the deadpan gags come thick, fast and too numerous to mention, all delivered with knuckle-gnawing subtlety by the C-list cast with A-list style.

This 1997 comedy may be amusing if you feel a pressing need to feel superior to somebody, but the aim is too broad and scattershot to add up to much beyond an acknowledgment of small-town desperation.

Too chaotic to work as a thriller.

What The Underneath lacks is the kind of emotional connection that the best film noirs have. Instead of involving, this film is distancing, too given to admiring its own shiny surface.

Slap Shot may have done a lot of fast skating and some solid body checking, but in the last period it makes a final costly slip -- and misses its goal.

An unsually abrasive sporting drama from director Hill.

Basically a redneck drive-in movie in style and delivery.

Shakes the Clown has been photographed as poorly as it was conceived.

We can no longer buy Roberts in her tearful romantic - melancholy mode.

Quite clever and appealing!

Pacino is on world-beating form and Williams delivers his best straight performance yet.

This could this be The Big Sleep for a new generation.

Steve Zahn shines in Illsley's feature debut, elevating this eccentric small-town comedy two notches above the level of writing. Using the fish out of water format, this Sundance premiere begins well but then declines rapidly.

A charming fish-out-of-water romantic comedy, the modestly budgeted Happy, Texas more than makes up in heart what it lacks in splash.