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West Side Story is a beautifully-mounted, impressive, emotion-ridden and violent musical which, in its stark approach to a raging social problem and realism of unfoldment, may set a pattern for future musical presentations.

It's impossible to begrudge the vertiginous energy and feeling that make this one of the great American musicals, and one radically told through dance.

A complicated film that never really successfully yokes together the themes of money-making and sexuality, it reveals both Kazan's operatic sensibility and his inability to follow an argument rigorously through.

A mature, dark, ambivalent piece that helped pave the way for the modern western.

Some fine vignettes of frontier life in the early southwest and a realistic presentation of the difficulties faced by the settlers in carving out a homestead in dangerous Indian country.

The genius of Bob & Carol & Ted & Alice is that it understands the peculiar nature of the moral crisis for Americans in this age group, and understands that the way to consider it is in a comedy.

Lemmon plays it dirty throughout and for huge effect. Curtis underplays for equally comic effect. Wood comes through on a par with the two male stars.

This is one of those spectacular comedy star vehicles which is perfectly watchable on a wet Sunday afternoon but which, looked at from almost any other perspective, is just a waste of celluloid.