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Arkin and the late Hartman also provide memorable moments, while the film as a whole is good-natured enough to make up for its inconsistency.

A tres hip slice of life about the dilemma of marital commitment with just a pinch of Hitchcock providing the cutting edge.

Breaking up, jealousies, match making and a bid for second chances are the themes of this vibrant and uplifting film that explores life, love and desire.

The Jane Austen Book Club, based on Karen Joy Fowler's bestseller, offers a distinctive vision of hell - a plane of being where there are only six novels that matter, and they're consulted like all-purpose agony aunts.

Film is a good showcase for the comic abilities of this threesome, all of whom seem to have their one-liner timing down pat.

Still charming and watchable. The three leads show their comedy potential.

This strange family fare, about a dog that was once a man, tries unsuccessfully to combine the expected magic of animal adventures with some more serious ideas.

As if banal platitudes about work-vs. -family aren't insufferable enough, there's a kicker gag involving Jackson that'll even have Mister Rogers begging for Pulp Fiction II.

Gere is hypnotic, writer Henry Bean's construction is entertainingly intricate, and director Mike Figgis knows how to turn on a subtle, authentic erotic heat.

Figgis never lets the pace slow long enough to expose the story's thinness despite, in retrospect, a moderate amount of action.